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DIDIER RECLOUX RELEASES ENOTIS ON 9 JULY 2024, WITH LEOS STRINGS

28/6/2024

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Didier Recloux's single Enotis (Wedding Song), performed by Leos Strings Quartet (Brookspeare Music), releases on 9 July 2024.

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Click above to stream on Apple Music or download in iTunes

'Striking and tender', Grace Bradford, Music Review World, June 2024

For press kit, more details, and interviews, contact Ulysses Arts.

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Leos Strings
PictureDidier Recloux
Didier Recloux is a Belgian-born composer based in London, his passion for music was fostered from an early age, having come from a musical family where he was introduced to a wide range of music by his Polish grandmother. His musical career began aged six, studying guitar, drums, piano, singing, and composition at his local music academy. He also studied counterpoint, music for film and television with Berklee Online, orchestration in New York with Steven Scott Smalley and learned about music production at IMW London. He still studies with pianist, music teacher and author Jonathan Walker.

Didier started his musical career playing in bands, writing and demoing songs with friends, mainly in a pop/rock style. Progressive rock, heavy metal, pop, electronic and classical music or film composers like Maurice Jarre and Ennio Morricone have all played influential roles in shaping Didier's musical sensibilities. Belgium is also a mosaic of communities and he was therefore exposed to a huge amount of foreign music and styles.

Didier's music emphasises melody, which he describes as something he would like to call “portable”, that one can carry away from a film, bringing back the feelings experienced while watching the movie. His aspiration is to touch and move people, the way that he has been moved by the music he loves. 

Didier's latest album Monsieur Linh and His Child was released on the 7 March 2024. Inspired by a novel by French author Philippe Claudel, the music illustrates the story of Monsieur LInh, an old and frail man who has to leave his country because of war, taking with him a small suitcase and his baby grand-daughter Sang Diû. The album was rated “outstanding” byMusic Review World.

His first television credit was 2014 documentary The Lost Child, written and presented by renowned broadcaster and director Zeinab Badawi (World News Today & HARDtalk), produced and broadcast by BBC World.

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Didier's most significant musical contribution so far is his collaboration with Zeinab Badawi on her twenty-eposide BBC series The History of Africa part I and II. Broadcast on BBC World, it has had more than 14 million views on YouTube alone.  This was followed by the series Take me to the Opera (2021-24) for which he wrote the main theme and arranged well-known classical pieces. Its third season currently is in pre-production. Zeinab describes collaborating with Didier: ‘He is a wonderful composer who worked meticulously to capture the spirit and authenticity of each programme'.

Earlier in his career, Didier wrote his first original score for the documentary Featherweight, directed by Christophe Hermanns (Belgium 2005). He collaborated twice with award-winning British director Lou Hamilton on Desire of the Pitbull Warrior (2010) and Angie (2012), and later with Keith Mackin and John Reck on Cops and Robbers (2013).




CLICK BELOW TO FOLLOW DIDIER RECLOUX ON SPOTIFY



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DIDIER RECLOUX ON AMAZON MUSIC

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GEORGE BENJAMIN PICTURE A DAY LIKE THIS RELEASED BY NIMBUS RECORDS ON 6 SEPTEMBER 2024

24/6/2024

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Sir George Benjamin's opera Picture a Day Like This, with libretto by Martin Crimp, wll be released by Nimbus Records on 6 September 2024 (NI.8116).
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Click above to pre-order now on iTunes with digital booklet
An ordinary day. A terrible event. The death of her infant child sets in motion one woman’s search for a life-restoring miracle. All she needs to do – in the course of a single day – is find one genuinely happy human being. But when every encounter ends in disappointment, she turns finally to the mysterious owner of a magnificent garden…

Recorded during the first performances, as part of the Festival d’Aix-en-Provence, at the Théâtre du Jeu de Paume, Aix-en-Provence, France, on 5 July 2023.

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Kevin Mandy, British Music Society, 15 August 2024

Justin Bernard, La Scena musicale, 5 September 2024

Catherine Kustanczy, The Opera Queen, 9 September 2024

Andrew Clements, The Guardian, 12 September 2024

The Financial Times, 25 September 2024

Christopher Cook, BBC Music Magazine, 1 October 2024

Mark Pullinger, Gramophone, 3 October 2024

'The best classical albums of 2024 so far', The Times, 7 October 2024

Morgan Burroughs, MusicWeb International, 9 October 2024

John Gilks, Opera Ramblings, 13 October 2024

Maureen Buja, Interlude, 14 October 2024

Electronic press kit available for reviewers and radio producers from Ulysses Arts.




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VLADIMIR FELTSMAN A TRIBUTE TO MOZART ALBUM RELEASED BY NIMBUS ON 6 SEPTEMBER 2024

24/6/2024

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Vladimir Feltsman's A Tribute to Mozart piano album (NI.6448) is released by Nimbus Alliance on 6 September 2024.
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In addition to sonatas, variations, and concertos for piano and orchestra, Mozart wrote numerous works for solo piano: fantasias, rondos, adagios, and other assorted pieces of short and moderate length. We don’t know exactly why these works were written, but we know that Mozart had to come up with new material for his many public and private appearances as a composer and performer.

In Mozart's time, composers inveriably were also performers. Any composition was also a potential source of income from publication and from patrons and friends to whom the works were dedicated. No matter why these marvellous works were written, we are lucky to have them.


'Fantasy in C minor K. 475 - Both C minor and E-flat major have three flats, and for Mozart these keys represent the Masonic values of “Strength, Beauty, and Wisdom,” and carry certain extra-musical and mystical implications… The beginning is dark and ominous… We are gently brought into a second episode in D major with a simple tune, gallant in style and execution. Out of nowhere there is an intrusion, a call of fate that breaks the peaceful atmosphere of the previous episode… This Fantasy ends with an ecstatic upsurge of energy in C minor scales, from low C in the bass to high C on top. Two and a half centuries later, we are still left wondering what just happened.

Fantasy in D minor K. 397… It is another unfinished work; the manuscripts lost. The last ten bars were supplied by the composer A.E. Müller, an admirer of Mozart, and this became the standard version as published by Hertel. This Fantasy is a short work, complex and intriguing.

Nine Variations on a Minuet by Duport K. 573 - Towards the end of the 18th century, variations and easy dances for keyboard were in great demand. Countless sets of variations of varying quality by diverse composers were published and sold to the public. Naturally, Mozart did not pass up this opportunity to make money and he wrote fifteen sets of variations for piano, mostly on borrowed themes. K. 573 is one such set. Mozart plays around with his material from the very beginning; the rhythmic formula of the main theme is altered right away in the fifth bar. Different pianistic textures are used in each of the nine variations, the first mimicking piano exercises and the others utilizing arpeggios, repeated notes, broken octaves, scales, double notes and what not. The obligatory slow variation “Adagio” is a parody, a spoof of Italian operatic tradition, with a Diva showing off her amazing vocal ability to an adoring public. In the last variation the time changes briskly from 3 to 2.' © Vladimir Feltsman

Gary Lemco, Audiophile Audition, 15 September 2024
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VLADIMIR FELTSMAN Pianist and conductor Vladimir Feltsman is one of the most versatile and constantly interesting musicians of our time. His vast repertoire encompasses music from the Baroque to 20th-century composers. A regular guest soloist with leading symphony orchestras in the United States and abroad, he appears in prestigious concert series and music festivals all over the world.

Born in Moscow in 1952, Mr Feltsman made his debut with the Moscow Philharmonic  Orchestra aged 11. In 1969, he entered the Moscow Tchaikovsky State Conservatory of Music to study piano under the guidance of Professor Jacob Flier. His debut at Carnegie Hall established him as a major pianist on the American and international scene.




Electronic press kit for reviewers and radio presenters available from Ulysses Arts Ltd.

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TAMAYO IKEDA LE NOCTURNE ALBUM OF SOLO PIANO MUSIC BY FAURÉ AND CHOPIN RELEASING ON 11 OCTOBER 2024 BY ULYSSES ARTS

5/6/2024

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Tamayo Ikeda, originally from Japan and resident in Paris, releases her latest solo piano album, Le Nocturne, on Friday 11 October 2024, with music by Chopin and Fauré. This is her second release with Ulysses Arts, following her Schubert album of 2022.
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Click above to download with booklet on iTunes or stream on Apple Music

Electronic press kit for reviewers available from Ulysses Arts.

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Tamayo Ikeda writes:

'The recording is a game of mirrors between the night of Gabriel Fauré and that of Frédéric Chopin. After reading the novel titled The Nocturne by French philosopher Vladimir Jankelevitch, I was profoundly amazed.  His book inspired me to associate these two composers.  Written clandestinely during the dark period of World War II, this book has the rare ability to express precisely what I feel, but in words.

Jankelevitch compares Chopin’s Nocturnes which accompany us through the deep pain experienced in the solitude of the night to those of Fauré, which evoke dark nights but with the promise of a "golden sun".  They offer hope, transforming those same nights into a promise of light.
'

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'Ce disque est une traversée, un jeu de miroirs entre la nuit de Gabriel Fauré et celle de Frédéric Chopin. C’est une nuit claire que nous propose Tamayo Ikeda, toute bruissante des sons de la nature, bienveillante et apaisée jusque dans ses ombres, une nuit vivante, frémissante de poésie, avec des élans qui tendent vers le jour nouveau.

Tamayo Ikeda sait exactement où elle veut aller et nous y emmène, avec générosité et une douce autorité. Chaque pièce est abordée avec une vision d’ensemble qui se déploie sans faiblir jusqu’à la note finale. Tamayo Ikeda joue comme elle parle, éloquente et inspirée, puisant sa liberté dans une maîtrise impeccable du clavier qui autorise toutes les prises de risque. Venu du fond de l’âme, son rubato est la vie même. Sa science du son lui offre une palette infinie qui éclaire et révèle ce qu’on croyait connaître par coeur. Fauré, en particulier, y retrouve des couleurs oubliées, une jeunesse et une fougue qui n’ont plus rien à envier à celles de Chopin.

Les deux compositeurs finissent d’ailleurs par parler ici la même langue, sans rien perdre de leur caractère propre.

Parvenue au sommet de sa maturité, Tamayo Ikeda ose ce voyage au bout de la beauté qui s’achève sur une berceuse, retour au paradis perdu, et retrouvé, le temps d’une interprétation à couper le souffle.'  Arièle Butaux

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Electronic press kit available for reviewers and radio programmers from Ulysses Arts

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PAUL HENLEY STRING QUARTET ALBUM RELEASED BY ULYSSES ARTS ON 20 SEPTEMBER 2024

5/6/2024

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Following the success of his 2023 Solo Piano Works album, with more than 1.5 million streams, Ulysses Arts releases Paul Henley's Works for String Quartet on 20 September 2024, performed by the Jarualda Quartet.
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Click above to download on iTunes with digital booklet or stream on Apple Music

Remy Franck, Pizzicato, 26 September 2024

Press kit and listening links for reviewers available from Ulysses Arts.


Follow Jarualda String Quartet on Spotify.

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LYRITA RELEASES GEORGE LLOYD WORKS FOR BRASS ON 2 AUGUST 2024

4/6/2024

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Lyrita Recorded Edition releases George Lloyd, The Works for Brass, on 2 August 2024, with The Black Dyke Mills Band conducted by David King, and the Equale Brass Quintet.
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PictureGeorge Lloyd, far right, in Royal Marine Barracks with Bandies 1942 © The George Lloyd Society
George Lloyd was familiar with music for brass from an early age. One of his first musical recollections was listening with rapt attention to a Salvation Army Band with his mother in St Ives. As a student, he attended regularly brass band concerts at London’s Crystal Palace, where he heard the premiere of John Ireland’s, A Downland Suite at the National Band Festival Competition on 1 October 1932.

Lloyd played the cornet when serving as a Bandsman in the Royal Marines, giving him invaluable practical experience as an executant within a group of players. His scoring for the brass section in his large-scale works is invariably idiomatic, impressively wrought and indicates a keen understanding of all the instruments’ range, character and versatility. Yet, despite all these indications that he was a natural composer of brass band music, he turned to writing music for brass instruments only in the last two decades of his creative life.

Though music for brass band was the last major genre Lloyd added to his catalogue of works, his enthusiasm for the medium, once he had embraced it, was unstinting. The wide popularity of his music within the brass band movement was an enduring source of considerable pride and satisfaction for George Lloyd, as he once confessed: ‘To realise that the people who are actually doing it, the players themselves ... seem to like it, that is what pleases me the most’.

© Paul Conway

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“Lloyd's early years in St Ives were spent surrounded by music as his parents were both accomplished amateur musicians, holding weekly chamber concerts with friends in the studio of their house. Despite being “seduced”, as he said, by the sound of brass instruments played by the
St Ives Salvation Army Band, he took up the violin, going on to study with the great violinist Albert Sammons…. In 1939, when Lloyd joined The Royal Marines Music Service he became a Cornet player in the Band aboard HMS Trinidad. Asked by the Director of Music to compose a ship’s march he quickly obliged, only to find that the Captain had asked his friend Vaughan Williams to do the same. In the end both marches were played before a panel of the ship’s Officers for them to choose their favourite and George Lloyd’s won.” Phillip Hunt, Cornish National Music Archive

“George was delighted to be commissioned by Boosey & Hawkes to provide ‘Royal Parks’ for the 1985 European Brass Band Championships. It seemed to open up other exciting opportunities as he then went on to compose works such as Diversions on a Bass Theme, English Heritage and King’s Messenger amongst others.” Bill Lloyd, 4barsrest


Electronic press kit, pre-release listening links and CDs available for reviewers via Ulysses Arts.

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