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ULYSSES ARTS RELEASES SOUND MEDITATION: PIANO DUOS BY DEBUSSY, RAVEL AND ČIURLIONIS, ON 18 APRIL 2025

20/9/2024

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Ulysses Arts releases Piano Phase Project's album Sound Meditation, with works for piano duo by Debussy, Ravel and Čiurlionis, performed by Monika Lozinskienė and Anna Szałucka, on 18 April 2025 (UA250010).
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Click above to download on iTunes with digital booklet or stream on Apple Music
PictureMonika Lozinskienė and Anna Szałucka
Anna Szałucka's and Monika Lozinskienė's first creative music installations, Summertime and Piano Phase, were showcased in Lithuania at Vilnius's MO Museum in 2021 and 2022. Monika's and Anna's varied individual experiences contribute to the Duo's projects, providing a dynamic energy and interpretational uniqueness. Monika is a co-founder of the international piano festival Kaunas Piano Fest, a producer of the openARTed podcast, and the curator of the online international platform PianoBuffs. Anna, in addition to creating electronic music, is a chamber music lecturer at the Royal Academy of Music and has released solo and chamber music albums with labels such as October House Records, Naxos, and LINN.

In 2022, the Duo became artists of London's City Music Foundation, performing in venues such as St. Martin in the Fields, Wiltshire Music Centre, Sienko Gallery, and at the Bloomsbury Festival. They have also performed at the CLASSICAL:NEXT conference in Hanover and during Kaunas 2022 European Capital of Culture. In 2024, they toured Scotland as laureates of the Tunnel Trust Award.


Piano Phase Project creates original piano arrangements, composes new music, and collaborates with filmmakers, visual artists, jazz musicians, and electronic music producers. Among their notable projects are Sound Meditation, an artistic movie filmed in the forests of Western Canada, which fuses classical and electronic music with visual arts, and also their new arrangement of Stravinsky’s The Rite of Spring for piano four-hands, percussion and dance.

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This album is financed partly by the Vilnius Municipality Culture Fund, Lithuanian Council for Culture and The City Music Foundation.

Frances Wilson, Interlude, 6 Sep 2025

Ron Schepper, Textura, Sep 2025


CLICK HERE TO  DOWNLOAD ROM iTUNES

CLICK HERE TO DOWNLOAD FROM QOBUZ


Pre-release singles

       Electronic press kit available for reviewers and radio producers from Ulysses Arts Ltd.

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ULYSSES ARTS RELEASES STEPHEN HORNE SOUNDTRACK TO HITCHCOCK'S THE MANXMAN ON 10 JANUARY 2025

18/9/2024

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Ulysses Arts releases Stephen Horne's soundtrack to Alfred Hitchcock's 1929 silent film The Manxman, orchestrated and conducted by Ben Palmer wth the Orchestra da Camera di Pordenone and soloists Louise Hayter, oboe, and Jeff Moore, violin, on 10 January 2025 (UA240130). The Manxman will be screened live at the 2025 San Francisco Silent Film Festival on 11 January at Grace Cathedral.
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Click above to download with digital booklet on iTunes or stream on Apple Music

Ulysses Arts · Laura Roman interviews Stephen Horne about his score for Hitchcock's The Manxman

Silent London, 1 Oct 2024

Ron Schepper, Textura, February 2025
'An illuminating portrait of this most talented artist.'

PictureStephen Horne
One of the world's leading silent film performers, Stephen Horne is a house musician at London’s British Film Institute Southbank. Principally a pianist, he often incorporates other instruments into his performances, sometimes simultaneously. He regularly plays internationally and his accompaniments have met with acclaim at numerous film festivals across Europe, North America and Asia.

Stephen has recorded music for many restorations of classic and rediscovered silent films. In 2011 and 2012, he was commissioned to compose scores for the London Film Festival galas of The First Born and The Manxman. In 2012 his accompaniment for Rotaie won first prize at the Bonn Sommerkino Festival and he was subsequently invited to repeat the performance at that year’s Beethovenfest. For ten consecutive years, from 2014 to 2024, he has won in one or more categories in Silent London’s end-of-year poll.

In 2021 he recorded Silent Sirens, an album of solo piano pieces based on several of his silent film scores. It was released by Ulysses Arts and has performed well across digital platforms. In 2022, his orchestral score for Stella Dallas, commissioned by MoMA, was premiered at the pre-opening night of the Venice Film Festival.

PictureBen Palmer conducting The Manxman
In 2022, with the help of conductor-orchestrator Ben Palmer, Stephen completed two fully orchestrated scores for films that he had previous scored for small ensemble. Stella Dallas, commissioned by MoMA, was premièred at the Venice Film Festival and The Manxman formed the closing gala of Le Giornate del Cinema Muto, Pordenone in Italy.






The Manxman: Pre-Release Singles


Electronic press kit for reviewers and radio producers is available from Ulysses Arts Ltd.

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RTF/NIMBUS ALLIANCE RELEASES JOSEPH PHIBBS STRING QUARTETS ON 1 NOVEMBER 2024

4/9/2024

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The Richard Thomas Foundation with Nimbus Alliance released Joseph Phibbs String Quartets album on 1 November 2024 (NI 6452), with the Piatti Quartet.

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Click above to download on iTunes or stream on Apple Music
PictureJoseph Phibbs
“Having studied the cello as a child, I have always felt a special affinity with string music. My introduction at the age of 14 to the music of Britten was through his first string quartet, the opening of which still fills me with awe, and his works - especially those for strings - have remained a lifelong inspiration. I am delighted therefore that this recording of my String Quartets Nos. 2-4 has been released, made possible by the generous support of the Richard Thomas Foundation. I have been fortunate to work closely with the Piatti Quartet over a number of years. It was they who commissioned my String Quartet No. 1 (2014), a piece they have performed extensively and recorded (Champs Hill Records 2018). Their enthusiasm encouraged me to continue exploring the genre, and - a decade later – it has been both a privilege and a huge pleasure to have another opportunity to write for them (String Quartet No.4).

Much of my music is inspired by light and landscapes (as well as cityscapes): these two elements drawn from places in the past that have been especially important to me, including Ithaca (NY) and New York City. When considering which images would best sum up the overall feel of the album, light-both natural and artificial - as seen within a landscape, seemed the most fitting choice. The vibrant colours of Casting Nets (2024) by my niece, the artist Rose Jones (reproduced on the rear inside cover of this booklet) provides a perfect contrast to the reflective Whistler image on the front cover, both works presenting light and water in completely different ways.” © Joseph Phibbs



'The Fourth Quartet ... mixes turbulent restlessness with a more predominant songful element. The composer’s touchstone here, a querulous beauty, has a remote enchantment about it. A dance of the heavenly spirits casts a sideways glance at Hovhaness in his more recessed moments.' Rob Barnett, MusicWeb International, 14 October 2024

'Pierre Boulez thought the string quartet was dead. I beg to differ'.
Joseph Phibbs Profile: Gramophone Magazine, 1 November 2024

‘One of the most rewarding musical relationships’ - Joseph Phibbs’s string quartets recorded by the Piatti Quartet - Interview:  The Strad, 1 November 2024

'[The Piatti Quartet] master these challenges with technical finesse and deepening verve in their performance..intensively explore and present the life-affirming and sometimes downright lively movements.. lyrical warmth and rich playing.'
Pizzicato, 5 November 2024


'Phibbs has an individual voice: compelling, expressive... Listening carefully to these performances, registering time and again, one realises not only just how powerful the music is, but also the superb nature of the performances. All four instrumentalists: Michael Trainor, Emily Holland, violins, Miguel Sabrinho, viola, Jessie Ann Richardson, cello - is expert in their own right, but they combine to make a whole greater than the sum of their four parts - surely the very definition of hot string quartet playing.' Colin Clarke, Classical Explorer, 8 November 2024

'Phibbs is a resourceful while often imaginative writer for string quartet, his music demonstrably in the lineage of 20th-century totems such as Bartók or Shostakovich (with a nod toward Britten), without being beholden to these or any other precedents. It helps when the Piatti Quartet ... sounds so well attuned to his idiom and has evidently prepared each one of these works with unfailing commitment.' Arcana, 28 November 2024

  1. 'I really enjoyed these quartets and look forward to hearing more of Phibbs’s music... The Piatti Quartet repay the composer’s confidence in them with strong and committed performances, and the recording is excellent. Those who care for string quartets should explore these works.' Stephen Barber, MusicWeb International, 17 December 2024

'English whimsy unafraid of its passionate emotional core'.
Steph Power, BBC Music Magazine, 20 December 2024


'Presenting light and water',Maureen Buja, Interlude, January 2025

The Piatti Quartet are Michael Trainor (violin), Emily Holland (violin), Miguel Sobrinho (viola) and Jessie Ann Richardson (cello). Resident Quartet at Kings Place, London, the distinguished quartet are widely renowned for their ‘profound musicmaking’ (The Strad) and their ‘lyrical warmth’ (BBC Music Magazine). Following their prizewinning performances at the 2015 Wigmore Hall International String Quartet Competition, they have performed all over the world and made international broadcasts from many countries. Contemporary music has been ever present in their repertoire and major commissions and dedications have stemmed from Mark-Anthony Turnage, Emily Howard, Charlotte Harding, and Joseph Phibbs whilst they have premiered a huge number of new works over the years.
 
“From that first moment we played Joe’s music we felt this was a voice that spoke to us, music that we instantly understood and connected with. He is the contemporary composer we have performed most often and audiences have always been enthralled by his music.”
The Piatti Quartet
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Electronic press kit and listening link available for reviewers and radio producers from Ulysses Arts.
Album supported by The RIchard Thomas Foundation.

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NIMBUS ALLIANCE RELEASES ROBERT BLOCKER COMTEMPORARY CHARACTER PIECES FOR PIANO ON 1 NOVEMBER 2024

4/9/2024

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Nimbus Alliance releases Robert Blocker: Contemporary Character Pieces for PIano, with works by eight composers, on 1 November 2024 (NI 6453).
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Click above to download from iTunes or stream on Apple Music
“The romantic character pieces of Schumann and Brahms have been my musical companions since childhood. In earlier years, I was immersed in their emotional content. The craft, especially the economy of scale and refinement of compositional technique, captured my attention as a college student…Throughout my career, I have championed new music created by fellow students and colleagues. Shortly after assuming the deanship of the Yale School of Music, it occurred to me that the expansive piano repertoire could be enriched further by contemporary character pieces. These would be in the tradition of the romantic era, each one being three to five minutes in length with an inherent emotional impulse...When asked to compose a contemporary character piece that I would perform and record, my faculty colleagues and friends were most gracious and responded affirmatively…My gratitude and admiration foreach of them is boundless not only for their personal encouragement but also for this significant contribution to the piano repertoire and our musical life.” © Robert Blocker
 
This release includes compositions from Ezra Laderman (Decade), David Lang (Winter Piano), Joseph Schwantner (Palindrome’s Dance), Warren Lee (Three Novelettes), Martin Bresnick (Extrana Devocion), Paul Reale (The Pooka’s Revenge), Aaron Jay Kernis (Toward The Setting Sun) and Christopher Theofanidis (Wake Up, Calleth The Voice).
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“Robert Blocker began his study of the instrument at age five, presenting his first public recital two years later. Following baccalaureate studies at Furman University, Blocker earned master’s and doctoral degrees in piano performance at the University of North Texas under the tutelage of the eminent American pianist Richard Cass.”


Electronic press kit and pre-release listening link available for reviewers and radio producers from Ulysses Arts Ltd.

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LYRITA RELEASES GRAHAM HAIR PIANO MUSIC ALBUM ON 1 NOVEMBER 2024, PERFORMED BY MARTIN JONES

4/9/2024

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Lyrita Records releases its Graham Hair Piano Music album on 1 November 2024, performed by Martin Jones (SRCD 436).
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PictureGraham Hair
Composer Graham Hair writes: “I met pianist Martin Jones as a consequence of writing the Concert Study Wild Cherries and Honeycomb as a test-piece for the Scottish International Piano Competition, in 1998. Martin heard about this piece from the chairman of the competition jury, Bryce Morrison, and this eventually led to my writing more Concert Studies over the next fifteen years, as well as the other works on this album.

Twelve Transcendental Concert Studies on Themes from the Australian Poets, refers specifically to the post-Lisztian Tradition of virtuoso pianism (including such figures as Australian pianist Percy Grainger), which has always seemed to me a corecomponent of Martin Jones’s pianism. The titles are all drawn either from specific poems or from specific passages within those poems.

Two other commissions are also represented: Dances and Devilment and Sunlit Airs, commissioned by the Australian pianist Michael Harvey in 2000, and Under Aldebaran, commissioned much earlier, by the Sydney International Piano Competition, during the mid-1980s. All of the other works were written between 2008 to 2024.


Étude-variations: Under Aldebaran is also a Concert Study, based on the poem by Australian poet James McAuley, but is very different from the collection of the ‘Transcendental’ 12. It’s the only atonal piece in this album, and by far the most complicated in its detail, and was written many years earlier.

Rococo Fantasies is a set of 11 bagatelles. Each moves from one tone-centre to another: often via ‘chromatic mediant’ harmony (a major or minor third above or below the tone-centre). Book One contains 6 of them. They endeavour to create a variety of idiosyncratic rhetorical characters by swerving between multiple metrical, thematic and textural ideas rapidly in the course of a few measures in some of the pieces, but beavering away at just one or two (over rapidly modulating harmonic changes) in others.

Passacaglia on the chorale ‘Komm, Gott Schöpfer, Heiliger Geist’ by J.S. Bach is based on a chorale melody derived from the famous plainsong hymn Veni Creator Spiritus. This is the ‘ground bass’ on which this Passacaglia is built. However, like many Passacaglias in the Canonic Repertoire, the theme often strays into the upper voices of the texture, and because of the relative length of the theme, it has something of the sense of a set of variations as much as of a Passacaglia.
 
…During recent times (2008-2024), I have completed more compositions than in all the previous periods put together, though in some cases that has meant completing projects started earlier: in a time characterised by the decay, and in many cases the collapse, of the institutions which have dominated political, social, economic and cultural life and practice during the three post-war generations (1950-2024). The subtitle of my forthcoming book, The Scottish Voices Reader, puts it thus: Cultivating the Classical Traditions in the Age of the War on Everything.”   © Graham Hair



'A revelation of 21st-century pianism, both in Hair’s writing and in Jones’ playing.'
Maureen Buja, Interlude, 23 December 2024

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Martin Jones has been one of Britain’s most highly regarded solo pianists since first coming to international attention in 1968 when he received the Dame Myra Hess Award. The same year he made his London debut at the Queen Elizabeth Hall and his New York debut at Carnegie Hall, and ever since has been in demand for recitals and concerto performances in Europe, Russia, Australia, Canada, North & South America. He has made over 90 recordings with Nimbus Records exploring music that is not often played including the complete works of 18 composers.

'Martin Jones is a skilled and sensitive artist with an imaginative response that is faultless.' Gramophone


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Electronic press kit and listening link available from Ulysses Arts Ltd.

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LYRITA RELEASES GEORGE LLOYD VIOLIN AND PIANO WORKS ALBUM ON 1 NOVEMBER 2024

4/9/2024

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Lyrita Records releases its George Lloyd Violin and Piano Works double album on 1 November 2024, with Tamsin Little, Martin Roscoe, Ruth Rogers and Simon Callaghan (SRCD 424). The album is part of Lyrita's 2024-25 George Lloyd Signature edition.
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George Lloyd started to learn the violin at the age of five and he was a pupil of the violinist Albert Sammons for six years. In his youth, Lloyd’s talent as an instrumentalist allowed him to participate in local musical events from formal concerts to more convivial gatherings: a 1930 newspaper report of a ‘social in the Zennor schoolroom’ observed that ‘Mr George Lloyd played the violin and dancing was indulged in’.

Looking back on his formative influences, Lloyd singled out Sammons as having the most lasting effect on his burgeoning creativity, identifying the latter’s ‘instinctive, freely expressive playing’ as having a direct bearing on the kind of music he began to write. In this regard, Lloyd’s description of the sound of Sammons’s playing as ‘gorgeous’, with ‘a lyrical quality’ in which ‘every note seemed to sing’ chimes with the composer’s own essentially lyrical approach to musical lines and phrases.

Despite his facility in playing the violin and the importance he attached to his lessons with Albert Sammons, Lloyd was relatively slow to compose works for his own instrument. It was not until 1970 that Lloyd wrote Violin Concerto No. 1, his first piece with a leading role for his own instrument, but this achievement seemed to stir his enthusiasm and during the next seven years he completed a number of pieces for violin and piano, a fully-fledged sonata and a second concerto. The Seven Extracts from The Serf for violin and piano (1974) were published in 2024, and are here recorded for the first time.
© Paul Conway


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Electronic press kit and pre-release listening link available for reviewers and radio producers from Ulysses Arts.

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