Quartet No. 7's eight movements constitute a panoply of aesthetic directions, from sarcasm, pastiche and profound lyricism.
No. 4 - Fantasia Concertante - is a unapologetically modernist, embracing new complexity. Its a single movement: dense, deeply chromatic,and brilliantly textural—and yet remains accessible.
No. 9 (1992), subtitled “moments musicals”, incorporates jazz and abstract harmony into a coherent, mature whole, in eleven short movements with an early 1990s post-minimalist character.