The UA Blog - Press Centre

TODD MASON VIOLIN CONCERTO AND CHAMBER SUITE, RELEASING ON 29 SEPTEMBER 2023

16/6/2023

Ulysses Arts releases Todd Mason's Violin Concerto, with soloist Tosca Opdam, and Chamber Suite, with the Budapest Scoring Orchestra conducted by Péter Illényi, on 29 September 2023.

Spirito, the third movement of Mason's Chamber Suite, was pre-released as a single on 21 July 2023.

Released on 29 September 2023. Click above to download on iTunes or stream on Apple Music.

'The writing for the solo instrument is both expressive and virtuosic.'
Geoff Pearce, Classical Music Daily, 8 Sep 2023

'A superb recording that should be listened to time and again.'
Maureen Buja, Interlude, Sep 2023

'Opdam enchants with tenderness, timing and flexibility.'
Maartje Stokkers , De Volkskrant, 28 Sep 2023

'Un jeu virtuose d’une extrême précision, aux phrasés ciselés, aux respirations idéales ... une découverte musicale des plus enthousiasmantes.' / 'Virtuosity of extreme precision, with well-defined phrasing and ideal vitality ... an exciting musical discovery.'
Jean-Jacques Millo, tr. Lawrence Schulman, Haute Définition No. 210, 30 Sep 2023

Remy Franck, Pizzicato, 2 Oct 2023

'Une large palette de couleurs, de rythmes et d’émotions, jusqu’aux dernières notes. Avec une Tosca Opdam encore une fois irrésistible.... L’auditeur aura eu la chance de découvrir ou redécouvrir deux artistes passionnants : le compositeur Todd Mason et la violoniste Tosca Opdam. Gageons aussi que l’étonnant Concerto pour violon restera dans les mémoires.'
Bruno Chiron, Bla Bla Blog, Nov 2023

'El compositor Todd Mason ha enregistrat, en una excel·lent gravació al Budapest Scoring Studio per al segell Ulysses Arts, el seu Concert per a violí i Suite de Cambra. ... L’impacte dramàtic és fascinant.'
Josep Bosch, Sonograma, 29 Nov 2023

Find out more here about the making of Todd Mason's Violin Concerto, featured in The Strad.

Spirito - pre-released on 21 July 2023

YURI PATERSON-OLENICH - SCRIABIN, PIANO SONATA NO. 8 RELEASED BY ULYSSES ARTS ON 30 JUNE 2023

25/5/2023

Stream on Apple Music or download with booklet on iTunes - click above

Yuri Paterson-Olenich

British pianist Yuri Paterson-Olenich releases Scriabin, Piano Sonata No. 8, on 30 June 2023.

'Some years ago, I recorded an album of late Scriabin piano works, and in hindsight, there are pieces I wish I had also included. The Eighth Sonata is one of them. 2022 marked the sesquicentennial of Scriabin’s birth, and I was invited to perform in several celebratory concerts. One work I was asked to play was this Sonata and serendipitously, there was an opportunity to record it.

Written in 1912-13, the Eighth was in fact the last of Scriabin’s ten sonatas to be completed. It is perhaps the most abstract of his already esoteric later oeuvre. The composer described it as the most difficult of his sonatas and, during the short time between its completion and his death in 1915, he never performed it.

Igor Stravinsky described this Sonata as ‘incomparable’. Scriabin ingeniously employs a variety of techniques including sonata form, leitmotifs, variation and uses his own unique harmonic language to underpin and unify them. The writing is exacting and sophisticated - fully appreciating the work entails imaginatively losing oneself in its elaborate cascades of sound.'
(Yuri Paterson-Olenich)

Featured on Apple Music New in Classical playlist

Electronic press kit available from Ulysses Arts.

Recorded at Eton College by John Croft / Chiaro Audio. Artwork by Hannah Whale / Fruition Creative Concepts

HAHN, KŒCHLIN, TAILLEFERRE PIANO DUOS WITH ADRIAN FARMER AND MARTIN JONES RELEASED ON 7 JULY 2023

2/5/2023

Download on iTunes or stream on Apple Music - click above

Martin Jones has been one of Britain’s most highly regarded solo pianists since first coming to international attention in 1968 when he received the Dame Myra Hess Award. The same year he made his London debut at the Queen Elizabeth Hall and his New York debut at Carnegie Hall, and ever since has been in demand for recitals and concerto performances. He has made over 90 recordings with Nimbus Records exploring rarely-played music including the complete works of 18 composers.

Adrian Farmer trained as an accompanist at Manchester's Royal Northern College of Music following a music degree at Birmingham University. Adrian has made several recordings with other Nimbus artists: bass-baritone Shura Gehrman, pianists Nina Walker, Simon Callaghan, and Martin Jones. It is with soprano Charlotte de Rothschild that he has found his most enduring partnership releasing albums which include the première recording of the songs of her ancestor, Mathilde de Rothschild.

REVIEWS

'Recording quality is pristine, and the two pianists play this repertoire with true understanding. Altogether, an absolute delight.' Phillip Scott, Limelight, September 2023

Roger Nichols, BBC Music Magazine, 8 August 2023

William Kreindler, MusicWeb International, 23 August 2023

Michel Dutrieue, Stretto, 14 July 2023

Núria Serra, Sonograma, 29 June 2023

Electronic press kit available from Ulysses Arts

DANCE FOLDINGS FOR ORCHESTRA, BY AUGUSTA READ THOMAS, RELEASED BY NIMBUS RECORDS ON 7 JULY 2023

2/5/2023

Click above to download on iTunes or stream on Apple Music

In celebration of the diversity and published objectives of the Royal Albert Hall on the occasion of the venue’s 150th anniversary, BBC Radio 3 commissioned DANCE FOLDINGS for orchestra: the prompt was to reflect the arts and sciences as they are now. The natural world, explored by scientists, engineers, and physicians in laboratories and clinics, offers a wealth of opportunities to explore resonance and balance through sound. Few orchestral works attempt to capture the kinetic and emotional content of scientific topics and convey these concepts through abstract, rather than descriptive, music. The musical materials of DANCE FOLDINGS for orchestra take as their starting point the metaphors, pairings, counterpoints, foldings, forms, and images inspired by the biological "ballet" of proteins being assembled and folded in our bodies.

Dance Foldings was recorded in the presence of the composer, and produced in association with BBC Radio 3 and the BBC National Orchestra of Wales.

Augusta Read Thomas is one of the most active composers in the world, with commissions, performances, recordings, awards, and honours, but she is also a long-standing, exemplary citizen of the profession at large with an extensive and deeply committed history as a generous colleague in the profession. She is without question one of the best and most important composers of our time. Her music has substance, depth, and a sense of purpose. She has much to say and knows how to say it, and in a way that is intelligent yet appealing and sophisticated.

Electronic press kit available from Ulysses Arts.

NIMBUS RELEASES DVORÁK PIANO TRIO ALBUM WITH SHAHAM-WALLFISCH-EREZ TRIO ON 2 JUNE 2023

2/5/2023

NI5952: Antonin Dvořák Piano Trio No.3 – Shaham Wallfisch Erez Trio

Antonín Dvořák (1841-1904) was a prolific and versatile composer who made richly diverse contributions to practically every genre of classical music. As a violist and keyboard player, he had a particular affinity with chamber music composition. Some of his chamber outputs held significance at crucial milestones in his career, as this disc clearly corroborate. Piano trio.No.3 is dark and reflects Dvořáks personal grief due to the loss of three of his children in infancy, the death of his mother and self-doubt. Dvořák began to compose his Sonatina Op.100 in 1893 and completed it the same year, dedicating it ‘to my children’ after taking into consideration his 15 year old daughters piano playing abilities, and 10 year olds sons violin. It was ‘intended for young people … but grown-ups, too, may not be unwilling to amuse themselves with it.’ The legendary violinist, Fritz Kreisler’s version of the Slavic Dance in E minor remains fairly faithful to Dvorak’s original whereas his arrangement of Op.72 is much freer from its waltz like strains and skillful use of double stopping making much of it sound like a violin duet.

Trio Shaham Erez Wallfisch was founded in 2009 and comprises three of the world's finest international instrumentalists. Since formation, the Trio has been invited numerous times to prestigious chamber music series at venues such as London’s Wigmore Hall, Amsterdam Concertgebouw, Rotterdam De Doellen, Hamburg Elbphilharmonie. The Trio oftens appears in Spain, the UK, Ireland, the Netherlands, Belgium, Israel and Canada. It was invited by the Wigmore Hall to present the complete Beethoven Piano Trios in 2020, the composer’s 250th anniversary.

NI5952 Antonin Dvorak Piano Trio No.3

1-4. Piano Trio No. 3 Op. 65                          37:53

5-8. Sonatina Op. 100                                     18:48

9-11. 3 Slavonic Dances arr. Fritz Kreisler
            Op. 46 No. 2, Op. 72 & No. 8               12:13

Also available from Shaham Wallfisch Erez Trio on Nimbus Records: Rachmaninoff – Russian Piano Trios.

ELECTRONIC MASTERS VOLUME 9 RELEASED BY ABLAZE RECORDS ON 26 MAY 2023

24/4/2023

Download on iTunes or stream on Apple Music - click above

Electronic Masters Volume 9 released by Ablaze Records on 26 May 2023. Music from the USA, South Africa, Italy and Norway, by Rodney DuPlessis, Pierre-Henri Wicomb, Chin Ting Chan, Marshall Jones, Michael Boyd, Leo Cicala, Julius Bucsis and Mathieu Lacroix.

Marshall Jones, Coffeegate, on Apple Music's New in Classical playlist

Electronic press kit available for reviewers from Ulysses Arts.

PAUL HENLEY PIANO WORKS ALBUM WITH DUNCAN HONEYBOURNE RELEASING ON 22 SEPTEMBER 2023

2/4/2023

Ulysses Arts releases Paul Henley's Piano Works album on 22 September 2023, performed by Duncan Honeybourne, with several works pre-released digitally on Apple Music during the summer.

Download on iTunes or stream on Apple Music - click above

Duncan Honeybourne

Duncan Honeybourne comments: 'Paul Henley told me that he feels the piano is more 'orchestral' than any other solo instrument. His intention is to highlight its “very diverse expressive potential, ranging from beautiful lyricism to considerable rhythmic vitality”. As Henley explains: “although it has considerable lyrical potential, the piano is actually a percussive instrument”. The latter is particularly significant to him.'

All three sonatas are shot through with an attractive blend of the percussive and the lyrical: No. 3 is the most extended and ambitious scale, and with a correspondingly extended expressive range. The Suite was composed in 2002 to celebrate the eighth birthday of the composer’s son; its five movements convey an engaging directness and simplicity in character and design. Framed by two cheerful Fanfares, there is a bouncy Scherzo, a warm hearted Nocturne and a dramatic Chorale. As with all Henley’s music, it is effective but never loaded with complexity for its own sake. Sometimes touching, sometimes punchy, and often surprising, it is constructed skilfully with a distinctive ear for rhythmic zest and harmonic colour, allied to a natural gift for melodic charm.

ALBUM DETAILS

Piano Sonata No. 1 (2005): 13’02

i. Moderato ma maestoso - Allegro molto: 5’00
ii. Adagio: 4’42
iii. Allegro moderato :3’20

Sonata No. 2 (2016): 7’17
Allegro vigoroso - Meno mosso - Allegro moderato - Come prima -
Maestoso - Moderato calmo - Allegro vigoroso

Sonata No. 3 (2020): 20’42
i. ‘Processional’ - Solenne: 4’54
ii. ‘Moto perpetuo’ – Allegro molto e sempre tempo giusto: 2'05
iii. ‘Departure’ – Adagio: 6’10
iv. ‘Danza’ – Allegretto deciso: 7’33

Five Epigrams for Piano (2019): 9’23
i. Molto moderato
ii. Allegretto
iii. Andantino
iv. Allegro
v. Molto moderato

Suite for Piano (2002): 5’27

Adagietto (2020): 3’12

Epigram No. 1 in Apple Music playlists: New in Classical and Pure Piano:

Piano Music of Francisco Mignone - Martin Jones, on Nimbus Records, releasing 5 May 2023

25/2/2023

Francisco Mignone

'Although Mignone wrote a large number of pieces for piano solo, his preference had always been for the orchestra, and for solo song. In his works for the piano the search for orchestral colour and texture is clearly evident in his use of ornamentation, spaced chords and explorations at the extreme ends of the keyboard. His focus on piano composition tended to be sporadic, producing many pieces in the 1940s, almost nothing in the 50s and early 60s, and eventually a return to larger forms, in particular the 2nd, 3rd and 4th sonatas.

Mignone's works for piano solo fall into some natural groupings, the four sonatinas and four sonatas, more than thirty waltzes, and the the nine Lendas sertanejas. Of the remaining pieces two-thirds are written in a predominantly 19th century European language, and the remainder reflect the influence of Brazilian folklore, in rhythm and form.' © Adrian Farmer

Martin Jones

Martin Jones has been one of Britain’s most highly regarded solo pianists since first coming to international attention in 1968 when he received the Dame Myra Hess Award. He has made over 90 recordings with Nimbus Records exploring music that is not often played including the complete works of 18 composers. This year will see the release of four albums of newly discovered manuscripts of Daniel Jones. Also, together with Adrian Farmer, three albums of French music for four hands. During next year ,as well as giving concerts, he will complete three albums of the first recordings of all the piano works of Elizabeth Lutyens for Resonus Records, and continue his American Piano Series with Volumes 6 & 7 for Prova Recordings. THis will include several new works especially written for him, and, for Nimbus a collection of Brazilian music by Mignone, Gnatalli & Lorenzo-Fernandez.

Electronic press kit available for reviewers from Ulysses Arts

Men and Angels - new album from The Ramsey Singers releasing with Ulysses Arts on 26 May 2023

8/2/2023

Click above to download from iTunes with digital booklet or stream on Apple Music

The first two decades of the 21st Century witnessed an exciting new wave of compositions - many from women - which have rejuvenated the great choral music tradition with a huge range of individual styles. The Ramsey Singers have performed many of these album pieces on their visits to English cathedrals during the past 20 years, as well as commissioning significant additions to the repertoire. This album brings together some of the best works from this new tradition, mostly recorded for the first time, including music by Philip Stopford, Kerena Briggs, James Lavino, Lucy Walker, Alec Roth, Ben Ponniah, Jeremy Woodside, Sarah MacDonald and Jonathan Rathbone.

The Ramsey Singers

Founded in 1987, The Ramsey Singers have performed in many of England’s most famous cathedrals and churches including Canterbury Cathedral, York Minster, St. Paul’s Cathedral, Westminster Abbey and St. George’s Chapel, Windsor Castle. Singers come from all over England and meet twice a year. Directed by Mark Fenton, the choir has undertaken tours to Belgium, The Netherlands and France and has recorded albums of works by Henry Purcell and Pelham Humfrey (Priory) and Arnold Bax & Percy Whitlock (ASV). The Ramsey Singers have championed the works of contemporary composers and the choir celebrated its 30th anniversary by commissioning a piece by James Lavino.

Mark Fenton

Born in London in 1965, Mark Fenton won a Scholarship in History at Cambridge University. He sang with the choir of St. Catharine’s College under the direction of Peter le Huray and Owen Rees with whom he took part in recordings of choral works by George Dyson, Herbert Howells and Benjamin Britten. After graduating with First Class Honours, he joined the choir of Chelmsford Cathedral where he participated in numerous BBC broadcasts, recordings and tours. As founder and Director of The Ramsey Singers, Mark has conducted at Westminster Abbey and St Paul’s Cathedral in London and at Sacre Coeur in Paris. After a distinguished career in education - including fifteen years as Headmaster of Dr Challoner’s Grammar School - he returned to working in music, taking up a post as a Bass Lay Clerk at Worcester Cathedral where he has sung in BBC broadcasts and in the Three Choirs Festival.

'Innovative and totally unexpected chords, harmony and daring chord progressions (chord connections) with dissonances (such as minor seconds), which cut excitingly through the melody. All this creates musical tension and excitement, resulting in pieces that, with a link to the Renaissance, show a fresh & new metier. Conductor Mark Fenton keeps a close eye on the choral sound and creates the perfect harmony vocals with love and dedication.'
Mattie Poels, Music Frames, August 2023
www.musicframes.nl/2023/08/men-angels-van-the-ramsey-singers/#more-69985

Lucy Walker, Occuli Omnium, on Apple Music playlist New in Classical

Sarah MacDonald, Crux Fidelis, on Apple Music playlist Women in Classical Music

James Lavino, Light, on Apple Music playlist Contemporary Classical

Electronic press kit available from Ulysses Arts

Verdi Requiem, orchestrated by Richard Blackford, with The Bach Choir and David Hill, released by Nimbus Records on 7 April 2023

7/2/2023

NI6437: Verdi Requiem – Richard Blackford

Verdi Requiem orchestrated by Richard Blackford, for SATB Choir, Two Pianos, Organ and Percussion.

In collaboration with the renowned Bach Choir conducting by David Hill this recording features a sound that is distinct from the original Requiem, while still retaining the heart of the piece.

'Who would not wish to perform Verdi’s Requiem in the composer’s masterful original orchestration? The astonishing range of orchestral colour, from the moments of high drama to the most tender, give Verdi’s masterpiece its unique power and aura. When David Hill suggested that I create a new orchestration for two pianos, organ and percussion for The Bach Choir, I immediately saw the potential of an orchestration that would have a distinctive sound world of its own, not a watered-down reduction of Verdi’s original. Such an orchestration would also make the work accessible to choirs who either could not afford the full orchestra, or would not have the space to accommodate it.

Further discussions with David, who had the previous year commissioned me to write Prelude and Passacaglia for organ solo, gave valuable insights into how the organ could replicate a great range of orchestral colours that would contrast and augment the dynamic brilliance of the pianos and percussion. As work progressed, I found more and more ways of realising Verdi’s intentions with these minimal resources, such as replicating Verdi’s frequent string tremolandos by overlapping the piano tremolos in a way that, rather than cancelling each other out, produce a strange pianistic murmuring. Having six keyboard hands available generally meant that Verdi’s contrapuntal writing, especially in the Sanctus, is fully reproduced, unlike a single piano reduction. The percussion part, by virtue of being one player, requires the player to switch energetically from timpani to bass drum, and reassuringly few notes of the original were sacrificed in the course of doing so.' Richard Blackford

Lyrita Releases Malcolm Lipkin Piano Music Album, performed by Nathan Williamson, on 7 April 2023

7/2/2023

SRCD414: Malcolm Lipkin Piano Music

Lyrita is releasing a collection of Malcolm Lipkin’s piano music, recorded by renowned soloist Nathan Williamson. Included in this recording are Lipkin’s Nocturnes and Sonatas.

“Malcolm Lipkin's experience and skill as an executant who can perform his own music is evident in each of his piano scores. Often hypnotic and brooding, it beckons the listener in to an ethereal, uncanny soundscape. At other times, the material is brilliant and challenging, demanding from the player a formidable technique. Perhaps the most notable aspect of Lipkin’s writing for piano is its basic integrity. If, at a certain point as the music unfolds, the composer decides that an unvarying series of repeated notes or chords or arpeggiated figures is required for several bars then that is, unashamedly and irrefutably, what he sets down on the stave. This preoccupation with the fundamentals of piano writing is part of the very fabric of the material – shrewd, incisive and intuitive.” Paul Conway, 2023

Nathan Williamson performs at many leading venues as soloist and chamber musician, composes new work for a wide variety of artists at home and abroad, and directs performance and education and outreach projects on a local and national level. Recent performance highlights include the complete Beethoven Concertos with the Prometheus Orchestra, the premiere of Christopher Brown’s 24 Preludes and Fugues, international tours with the renowned new music ensemble Piano Circus, and a detailed exploration of piano works by Malcolm Lipkin culminating in the present album. During the pandemic Nathan gave online recitals for City Music Live and regularly streamed live music into schools and care homes.

On Malcolm Lipkin - The Symphonies: 'These performances are of great importance as examples of British Symphonies in the second half of the twentieth century': MusicWeb International

Electronic press kit available for press use.

ModernMedieval Voices releases debut album The Living Word - 10 March 2023 with Ulysses Arts

27/1/2023

Vocal ensemble ModernMedieval Voices releases The Living Word, its debut album, on 10 March 2023 on Ulysses Arts. The Living Word pairs chants by Hildegard von Bingen with new works by Daniel Thomas Davis, Jacqueline Horner-Kwiatek, Caroline Shaw and Caleb Burhans, inspired by her music, life and message. The album's title pays tribute to Hildegard as a pioneer – a woman ahead of her time. Her words, music, and achievements continue to resonate today.

Download on iTunes or stream on Apple Music

ModernMedieval was created byDr Jacqueline Horner-Kwiatek, a member of world-renowned vocal quartet Anonymous 4, to explore the worlds of early and new music through lectures, workshops, masterclasses, performances and recordings. ModernMedieval Voices (MMV) is an all-female ensemble directed by Jacqueline. She is joined by early and new music specialists for concerts and special projects that combine medieval chant and polyphony with music from later eras and new commissions influenced by the poetry and sonorities of music from the Middle Ages.

ModernMedieval Voices takes the vocal techniques developed by Anonymous 4 for singing this repertoire and combines them with a fresh approach to programming that introduces this wonderful music to new audiences.

The Ensemble gave its debut performance at the Metropolitan Museum of Art, New York, performing Hildegard's chant O Jerusalem as part of the Al-Quds : Jerusalem concert with MetLive Arts, described by Heidi Waleson of The Wall Street Journal as ‘exquisitely sung’. MMV has given performances at The National Museum for Women in the Arts in Washington D.C., The Virginia Arts Festival, and the Ecstatic Music Festival in New York City, broadcast live on WNYC NewSounds Live, hosted by John Schaefer. The Ensemble has also given residencies and performances at Notre Dame University, East Carolina University NewMusic Initiative, Florida’s University of Tampa, Binghamton University, Pittsburgh Dance Project, Liquid Music in Saint Paul Minnesota, Princeton University Sound Kitchen, Electric Earth Concerts in New Hampshire, Dumbarton Oaks, and The Cloisters in New York City as part of the Metropolitan Museum of Art’s MetLiveArts series.

ModernMedieval Voices feature on award-winning album To Shiver the Sky with music by Christopher Tin, which received its world première performance in May 2022 in Washington DC.

‘Although more than eight centuries separate us from this music, ModernMedieval’s approach to Hildegard is above all natural, emphasizing her fluent expressivity in perfect medieval Latin. Hildegard is always a good listen, and juxtaposed with sympathetic contemporary works, her beauties were especially resplendent.’ (Patrick Rucker, The Washington Post)

ALBUM ARTISTS

Jacqueline Horner-Kwiatek
Chloe Holgate
Martha Cluver

ALBUM DETAILS

Hildegard von Bingen, O Presul vere Civitatis
Daniel Thomas Davis, Three-Winged Wisdom *
Hildegard von Bingen, O Virtus Sapientie
Jacqueline Horner-Kwiatek, Meditation *
Hildegard von Bingen, Spiritus Sanctus Vivificans
Hildegard von Bingen, Karitas Habundat
Caroline Shaw, Caritas Abundat *
Hildegard von Bingen, O Viridissima Virga
Caleb Burhans, We Cannot Live *
Hildegard von Bingen, O Jerusalem

*Commissioned by ModernMedieval

Listen on YouTube

Electronic press kit available for reviewers from Ulysses Arts.

Ruby Colley EP launch and UK concerts - February - March 2023

27/1/2023

Violininst and composerRuby Colley launches her EP Underheard on 17 February 2023, with live concerts in London and Bury in February and March.

Ruby Colley

Ruby's work seeks to unravel the connections between nature and music. She draws upon a wide range of music styles including folk, improvisation and contemporary classical. Ruby creates instrumental soundscapes beyond the realm of traditional playing, introducing sounds from nature and electronics. Her latest commission - Edgeland - is an audio-visual work that explores people including Ruby's neurodivergent brother, and places within an 'Edgeland' near her home in West Sussex.

Ruby’s music is eclectic, unique and her performances are charged with emotional power and nuance. Her debut album Murmurations was released in 2010, followed by The Sussex Sessions, an EP with Isobel Anderson in 2014. Her latest album Overheard was released in April 2022, and explores connections between human presence and nature in response to the climate crisis.

EP released on 17 February 2023 - click above to download on iTunes or stream on Apple Music

Tour Dates

28th February - City University, London, Concert Series, 7pm, with Will Pound, harmonica

11th March - The Met, Bury, 7pm
Market St, Bury BL9 0BW
18th March - The Nest, Old Town Hall, Hastings, 7.30pm

Ruby Colley on BBC Radio 3

Night Tracks: 6 March 2023
InTune: 16 March 2023

Electronic press kit for concert and recording reviewers available from Ulysses Arts.

PHILLIP COOKE, FOUR MARIAN ANTIPHONS - CARITAS CHAMBER CHOIR AND BENEDICT PREECE - RELEASING ON 31 MARCH 2023

21/1/2023

Pre-order on iTunes or stream pre-add tracks on Apple Music

Ulysses Arts releases the première recording of Phillip Cooke's Four Marian Antiphons on 31 March 2023, performed by the Caritas Chamber Choir directed by Benedict Preece.

Four Marion Anthems

1. Ave Regina Caelorum
2. Salve Regina, Mater misericordiae
3. Alma Redemptoris Mater (pre-release on 24 February)
4. Regina Cœli (pre-release on 17 March)

Phillip Cooke

Released in partnership with Platoon.

Blessed Among Women, Weeping: Sacred Choral Music of Father Ivan Moody, from Coro Volante conducted by Brett Scott, released by Ablaze Records on 24 March 2023

20/1/2023

Download on iTunes or stream on Apple Music: click above

Fr. Ivan Moody

Fr. Ivan Moody was born in London in 1964. He studied music and theology at the Universities of London, Joensuu and York (where he took his doctorate). He studied composition with Brian Dennis, Sir John Tavener and William Brooks.

He has worked with soloists and ensembles of world renown, such as the Hilliard Ensemble, Singer Pur, Trio Mediaeval, the Tallis Scholars, the English Chamber Choir, Cappella Romana, New York Polyphony, the Regensburger Domspatz, Singcircle, Lumen Valo, Tapestry, Cappella Nova, Ars Nova Copenhagen, the Taverner Consort, Fretwork, the Raschèr Quartet, Raphael Wallfisch, Suzie Leblanc, Artur Pizarro and Paul Barnes. Over the years he has written a series of substantial choral and choral-instrumental works, including Passion and Resurrection (1992), Revelation (1995), Akathistos Hymn (1998), The Dormition of the Virgin (2003), Passione Popolare (2005), Ossetian Requiem (2005), Moons and Suns (2008), Stabat Mater (2008), Qohelet (2013) and Stephans-Weihnacht (2019). Instrumental music includes a series of concertante works for viola, cello, recorder, double bass, piano, harp, tuba, bass clarinet and marimba, and many works for chamber ensembles (notably the piano quartet Nocturne of Light, from 2009) and solo instruments.

Ivan Moody is also a conductor and musicologist; his book Modernism and Orthodox Spirituality in Contemporary Music was published in 2014. He is a Researcher at CESEM—Universidade Nova, Lisbon, and a priest of the Orthodox Church.

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