Nimbus Alliance releases the Wiener Schubert Trio's album, with works by Pfitzner and Smetana, on Friday 3 November 2023 (NI.6441).

'Hans Pfitzner (1869-1949) and Bedřich Smetana (1824-84) hold special places in music history as ardent nationalist composers and creators of significant stage works. Pfitzner’s operas and incidental music culminated in his Palestrina (1917), while Smetana established a canon of eight national operas incorporating traditional Czech dance and song into much of his mature oeuvre. Both composers also contributed widely to other genres, including significantly, if not extensively, to the chamber music repertory. Although written more than forty years apart, these two piano trios share notable common ground. Both were written during troubled times for their creators and count among their composer’s first mature artistic achievements; moreover, both resort to motivic recall or transformation between movements with the intention of realising structural unity, and both received hostile critical receptions.' Robin Stowell.

The Wiener Schubert Trio (Vienna Schubert Trio) was founded in 1985 and performed as a full-time ensemble until 1993. From the outset the Trio appeared regularly in the music centres of Europe, North America and Asia, and established rapidly a reputation as one of the foremost piano trios. After its first United States tour in 1986, the Trio was named the year’s ‘Best New Visiting Chamber Ensemble’ by The Washington Post. The Ensemble devoted itself to both the established masterpieces of the repertoire and many less familiar works, often presented in the context of concert series designed to demonstrate relationships between various composers and styles.

Boris Kuschnir (b.1948) studied violin at the Moscow State Tchaikovsky Conservatory but his artistic development was profoundly influenced by Dmitri Shostakovich and David Oistrakh, who also taught him. He was a founding member of the Moscow String Quartet, where he played for nine years. He was a co-founder of the Vienna Schubert Trio and later the Vienna Brahms Trio, making numerous recording for record labels such as EMI, Naxos and Nimbus Records. He has received numerous awards at international violin and chamber music competitions in Paris, Belgrade, Sion, Trapani, Bratislava, Florence, Trieste and Hamberg.

Claus-Christian Schuster (b.1952): Taught initially by his father, he went on to study at the Vienna Musikhochschule, Indiana University School of Music and Moscow Tchaikovsky Conservatory. He has won numerous international piano and chamber music competitions, and until 1984 he performed worldwide as a soloist. After he founded the Vienna Schubert Trio he made regular guest appearances. However, immediately after the break-up of the Vienna Schubert Trio in 1993 he formed the Altenberg Trio Vienna, where he continued his international chamber music activities with increased intensity.

Martin Hornstein (1954–2009) was most influenced by his teachers Valentin Erben and Harvey Shapiro as well as by members of the Alban Berg Quartet who stirred his interest for chamber music from early on.  He has performed as a chamber musician with numerous colleges including Christian Altenburger, Thomas Christian and Eszter Haffner as well as with ensembles like the Aron Quartett, the Artis Quartet and the Orlando Quartett. Between 1985 and 1993 he was the Vienna Schubert Trio's 'cellist, and from 1994-2004 a member of the Altenberg Trio Vienna. With these two ensembles he gave more than 1,000 performances across the world.

Pre-order and streaming links will be published here.
Electronic press kit for reviewers available from Ulysses Arts.

Ulysses Arts releases a new album of songs by Messiaen, Frank Bridge, Chausson, Eisler and new works by Paul Willot-Förster on Friday 10 November 2023, performed by mezzo-soprano Maria Hagele and pianist Anna Szałucka with Connie Pharoah, viola, and Emily Turkanik, violin. Full details of streaming links will be published here.

SOLILOQUIES ALBUM DETAILS

OLIVIER MESSIAEN, Harawi - Chant d'amour et de mort
1: I. La ville qui dormait, toi  02:31
2: II. Bonjour toi, colombe verte  03:27
3: III. Montagnes  02:58

FRANK BRIDGE, Three Songs for Voice, Viola and Piano, H. 76
with Connie Pharoah, viola
4. I. Far, far from each other  03:33
5. II. Where is it that our soul doth go  03:08
6. III. Music when soft voices die  02:01

'CLEMENS CZERNIK'
with Emily Turkanik, violin
7. Graciella  02:02

PAUL WILLOT-FÖRSTER
with Emily Turkanik, violin
8. Selbstgespräche: I. Vorwort/Entschuldigung  01:48
9. Selbstgespräche: II. Schlaflied  03:05
10. Selbstgespräche: III. Vokalise  03:22
11. Selbstgespräche: IV. Weltende  01:45

ERNEST CHAUSSON, Serres chaudes, Op. 24
12. I. Serre chaude  03:03
13. II. Serre d'ennui  02:30
14. III. Lassitude  02:22
15. IV. Fauves las  01:51
16. V. Oraison  02:16

HANNS EISLER
17. Fünf Elegien No. 4: Diese Stadt hat mich belehrt  01:28
18. Der Pflaumenbaum  01:41
19. Faustus‘ Verzweiflung  00:50
20. Fünf Elegien, No. 1: Unter den grünen Pfefferbäumen  00:53
21. Goethe-Fragment  01:45
22. Was ich dort gelebt  00:57

OLIVIER MESSIAEN, Harawi - Chant d'amour et de mort
23. X. Amour, oiseau d‘étoile  04:47
24. XI. Katchikatchi les étoiles  02:01
25. XII. Dans le noir  05:42

Click here for texts and translations

NI5952: Antonin Dvořák Piano Trio No.3 – Shaham Wallfisch Erez Trio
 
Antonín Dvořák (1841-1904) was a prolific and versatile composer who made richly diverse contributions to practically every genre of classical music. As a violist and keyboard player, he had a particular affinity with chamber music composition. Some of his chamber outputs held significance at crucial milestones in his career, as this disc clearly corroborate. Piano trio.No.3 is dark and reflects Dvořáks personal grief due to the loss of three of his children in infancy, the death of his mother and self-doubt. Dvořák began to compose his Sonatina Op.100 in 1893 and completed it the same year, dedicating it ‘to my children’ after taking into consideration his 15 year old daughters piano playing abilities, and 10 year olds sons violin. It was ‘intended for young people … but grown-ups, too, may not be unwilling to amuse themselves with it.’ The legendary violinist, Fritz Kreisler’s version of the Slavic Dance in E minor remains fairly faithful to Dvorak’s original whereas his arrangement of Op.72 is much freer from its waltz like strains and skillful use of double stopping making much of it sound like a violin duet. 
 
Trio Shaham Erez Wallfisch was founded in 2009 and comprises three of the world's finest international instrumentalists. Since formation, the Trio has been invited numerous times to prestigious chamber music series at venues such as London’s Wigmore Hall, Amsterdam Concertgebouw, Rotterdam De Doellen, Hamburg Elbphilharmonie. The Trio oftens appears in Spain, the UK, Ireland, the Netherlands, Belgium, Israel and Canada. It was invited by the Wigmore Hall to present the complete Beethoven Piano Trios in 2020, the composer’s 250th anniversary.

NI5952 Antonin Dvorak Piano Trio No.3
 
1-4. Piano Trio No. 3 Op. 65                          37:53
 
5-8. Sonatina Op. 100                                     18:48
 
9-11. 3 Slavonic Dances arr. Fritz Kreisler
            Op. 46 No. 2, Op. 72 & No. 8               12:13

Also available from Shaham Wallfisch Erez Trio on Nimbus Records: Rachmaninoff – Russian Piano Trios.

Neoteric Ensemble - a sextet of leading London brass and saxophone players, releases its debut album, Neoteric Volume 1, on 3 November 2023, with music by Rob Buckland, Toby Street, Misha Mullov-Abado, Charlotte Harding, Andy Panayi, Dan Jenkins and Mark Nightingale. Neoteric will be performing live in London at their album launch concert at The Pheasantry, King's Road, Chelsea, on Wednesday 8 November, 8pm.

1-3. Soundscapes ROB BUCKLAND
1. i. Mojito
2. ii. Fjord
3. iii. Bosh

4. The Effra Parade MISHA MULLOV-ABBADO

5-8. Pandemic Suite ANDY PANAYI
5. i. Huanan Market
6. ii. The Traveller is Named
7. iii. The Traveller Goes Forth
8. iv. Lockdown Release

9. Neo CHARLOTTE HARDING

10. Karatina Market TOBY STREET

13. Bach in Barbados DAN JENKINS

12. Arriba MARK NIGHTINGALE

Electronic press kit available for review use.

For UK press and invitations to Neoteric's album launch concert at The Pheasantry, King's Road, London SW3 on Wednesday 8 November, contact Emma Perry at ECN Music.

Pre-release single by Andy Panayi, released on 18 August 2023:

Neoteric Ensemble on Apple Music

Follow Neoteric Ensemble on Spotify

The Tailleferre Ensemble, founded in 2019 by Nicola Hands and Penelope Smith, is a UK-based chamber collective whose principal aim is to promote women in music. The group is a flexible chamber ensemble of varying line-up who perform works of diverse instrumentation and genre, from works by established composers to those that are lesser-known and contemporary. As a group they have been praised for their fine performances and ‘extensive palette of timbres’, and they work to redress the balance of works performed by men and women composers in classical music.

The Ensemble has performed across the country since its inception, ranging from prestigious venues and chamber music festivals to local chamber series, and have also collaborated with other groups.  In 2021 they were grateful to receive funding from the Ambache Charitable Trust to make recordings of works by Cecilia McDowall and Rhian Samuel. In 2022 they were invited to perform the rarely-played Mass in D by Ethel Smyth. Since then, they received further invitations to collaborate on similar performances.

This album is the group’s first recording, exemplifying their work, featuring music from various historical periods and for different ensemble sizes. Of particular note is the première recording of Sonate Champêtre by the group’s namesake, Germaine Tailleferre: they are pleased to share this work recorded for the first time, alongside the première of Little Duos by Rhian Samuel, dedicated to the group’s founders Nicola Hands and Penelope Smith.

Most of the album comprises works by living composers, but lesser-known pieces from further back, by Röntgen and Hoffmann, also feature. There are Things to be Said byIngrid Stölzel inspired the album’s title, evoking concepts of loneliness and struggle but also reflects the hopefulness, determination and creativity of this new chamber collective.

'An exemplary debut with There are Things to be Said. ... Many things recommend the collection, from superb musicianship to an inspired and varied set-list.'
Textura, March 2023

'The Tailleferre Ensemble excels in subtlety... Their performances contain all musical pastel shades, which together form one lovely colored palette. This is partly due to the various instrumentations that provide transparency and clarity, but certainly also due to the excellent interplay, the beautiful and well-groomed intonation and the lively appearance. ... The Ensemble switches style and instrumentation with ease and gives each composition the warm intention that it deserves.' Mattie Poels, Music Frames, 15 March 2023

'Enjoyable and thoughtfully-programmed.'
Kate Wakeling, BBC Music Magazine, 16 May 2023

ALBUM DETAILS

Germaine Tailleferre, Sonate Champêtre (première recording)

I. Allegro moderato
II. Andantino
III. Allegro vivace: Gaiement

Ingrid Stölzel, There Are Things to be Said (2009)
 
Bill Douglas, Three Lyrical Pieces
                                                                                              
I. Wings of the Wind
II. The Hills of Glencar
III. Autumn Song
                         
Jenni Brandon, Metamorphosis *

I. Vulnerable
II. Evolving
III. Transformation
IV. Rebirth
V. Transfiguration
VI. Breaking through the mold
VII. Regeneration
VIII. Emerging
IX. “The Metamorphosis excites in the beholder an emotion of joy…”

* First performance and recording by Dr Lindabeth Binkley (oboe) with Dane Philipsen (oboe) and Mary Jo Cox (piano) on Dr. Binkley’s album FROM EARTH AND SKY: MUSIC OF JENNI BRANDON on Blue Griffin Record label in 2020.
 
Rhian Samuel (première recording), Little Duos for oboe and cor anglais

I. Morning Glow
II. Whispers
III. Sentries
 
Cecilia McDowall, Century Dances: Trio for oboe, clarinet and bassoon

I. Allemande
II. Menuet – ghost dance
III. Mazurka
IV. Tango
V. Last Dance 

Melchior Hoffmann, Trio Sonata in G minor

I. Adagio
II. Allegro
III. Adagio
IV. Vivace

Julius Röntgen, Trio for Flute, Oboe and Bassoon in G Major, Op. 86

I. Allegretto con Spirito
II. Poco andante, quasi una fantasia
III. Allegretto

The Tailleferre Ensemble

Emma Halnan and Nicola Crowe, flute
Nicola Hands and Penelope Smith, oboe / cor anglais
Jennifer Dunsmore and Helen Pierce, clarinet
Amy Thompson, bassoon
Lana Bode, piano

Electronic press kit available for reviewers.

Download from HDtracks

SRCD412 British Cello Works Volume 2
Smyth, Delius, Gibbs, Britten
Lionel Handy, cello, Jennifer Walsh, piano

Also Available: British Cello Works, Volume 1
Lionel Handy, cello and Jennifer Walsh (née Hughes), piano
Lyrita Records SRCD.383; UPC: 5020926038326

'A key figure in the British musical renaissance, Dame ETHEL SMYTH (1858-1944) was critically acclaimed for her music and for her writing during her lifetime. Smyth’s Sonata in A minor for cello and piano, Op.5 was written in 1887 and published the following year by C. F. Peters in Leipzig. The score is dedicated to the German cellist Julius Klengel, whom she met through her friendship with the Röntgen family.

In her A minor Sonata, Op. 5, as in her earlier Sonata in C minor for cello and piano (1880), Ethel Smyth favours expressivity over virtuosity, emphasising the cello’s warm and lyrical tone. The piano enjoys a key role in all three movements and is often invited to present the chief subject matter rather than merely playing a supporting role accompanying the cello line. Thus, the piece constitutes a true ‘sonata for cello and piano’. Fluent and tightly constructed,the score reveals a gift for melody, pacing and characterisation which the composer would use to good advantage in her stage works.

One of Delius’s most satisfying chamber works, the Cello Sonata is distinguished by the expressive power of its material. Both instruments enter at the same time, the cello unfolding a songlike, long-limbed line, while the piano presents the main idea. A second key theme, introduced by the cello over the piano’s rippling, arpeggiated chords, is more forthright and sharply defined.

In the late 1940s and the 1950s, Cecil Armstrong Gibbs wrote a series of instrumental works, two of them written for, and dedicated to, the cellist Eileen Croxford. They consist of Three Pieces, Op. 121 and the Cello Sonata in E, Op. 132. The Sonata is dated 12 January 1951 and was published by Oxford University Press the following year. The opening Allegro moderato is a substantial movement in sonata form. Over a syncopated, chordal piano accompaniment, the cello unfurls a sweeping, unsettled melody which contains some unexpected tonal shifts and covers a wide dynamic range.

Britten’s Cello Sonata is a challenging, bravura piece that benefits immeasurably from the natural affinity between composer and player which would inspire Britten to produce four more major works for Rostropovich over the next decade. Rostropovich wrote of the work, ‘This is a sonata full of surprises, innovations for any cellist, gifts for the musician flowing freely from the horn of plenty. We meet not merely a novelty in finger-work but, what is most important, a new kind of expressive and profound dramatic composition.'

© Paul Conway, 2022

'Handy and Walsh play with conviction and flair.'
Janet Horvath, Interlude: 22 February 2023

Electronic press kit available for reviewers