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ALEXANDER TCHOBANOV RELEASES PIANO MUSIC BY SCRIABIN AND RACHMANINOV ON 16 APRIL AND 21 MAY 2021

15/4/2021

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Click above to download or pre-order on iTunes

Ulysses Arts releases recordings by Bulgarian pianist Alexander Tchobanov on 16 April (Scriabin Études) and 21 May (Rachmaninov, Sonata No. 2 - third movement).

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'Tchobanov's colors and voicing were superb, creating that ineffable aura of Russian sadness we love so much. There is a major virtuoso there'.

The New York Concert Review

Carnegie Weill Recital Hall solo debut recital


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Alexander Tchobanov performs as a concert pianist, chamber musician, and music pedagogue.  Originally from Plovdiv in Bulgaria, he was a top prize winner and finalist in the Bradshaw and Buono International Piano Competition, The American Prize, Sixth Odin International Competition, Kings Peak International Competition and Los Angeles Spotlight Competition.

Alexander's concerts have been broadcast live on radio stations across the United States including  WGBH Boston, NPR, and WXEL South Florida. He has also made numerous recordings for  Bulgarian National TV and Radio.

Concert venues include New York's Carnegie Weill Recital Hall, Steinway Hall, WMP Hall, Paul Hall at the Julliard School, Dorothy Chandler Pavilion Los Angeles, Jordan Hall Boston, Harriet Himmel Theatre (West Palm Beach), Kaisersaal and Auesperg Palace (Vienna), Schloss Halbturn Palace, Balabanov House in Bulgaria, Madinat Theatre Dubai and Emirates Palace in Abu Dhabi. He has received critical acclaim in newspapers including  the Yakima Herald, Palm Beach Post, Trud, Gulf News and Al-Bayan.


Alexander Tchobanov completed his Masters Degree at Rutgers University, where he was awarded an assistantship with Susan Starr. In addition, he won a Fellowship at the Music Academy of the West in Santa Barbara, studying with Jerome Lowenthal (Juilliard School). He was also a guest artist at the CME Vienna Concerto Fest, Steinway Piano Festival and North American Contemporary Music Festival. Alexander was a recipient of scholarships by the Leni FeBland Foundation in California. Alexander's mentors include Lars Vogt, Robert Levin, Midori, André de Groote, Min Kwon, John Perry and members of the Takacs Quartet. He has earned full-scholarships from the Conservatory of Music at Lynn University, where he trained with Roberta Rust, and the Idyllwild Arts Academy. 

 He has taught at Rutgers University, Lynn University, and Brighton College. In 2012, he joined the faculty of Seasons Music Festival Academy (Yakima, USA), giving masterclasses, solo concerts and chamber music collaborations. Currently, Alexander is Head of Keyboard Studies at The British School-Al Khubairat in Abu Dhabi, where his students have been finalists and winners of numerous national and international competitions.


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Rachmaninov Piano Sonata No. 2, 3rd movement on Apple Music's New in Classical playlist
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RICHARD CRAIG - TELEMANN FANTASIAS FOR SOLO FLUTE - FIRST RELEASES ON 7 MAY AND 4 JUNE 2021

14/4/2021

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Released on 7 May 2021: click above to download on iTunes
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Released on 4 June 2021: click above to download on iTunes
Richard Craig launches the first two single of his complete Telemann Fantasias for Solo Flute on Ulysses Arts, with No. 11 in G Major on 7 May and No. 9 in E Major on 4 June 2021.

Telemann's inspiration for Fantasia No. 11 came from a 1739 visit to Pszczyna in Poland where he heard fiddlers and bagpipers: 'One would hardly believe the inventiveness with which they improvise when the dancers pause for breath'.  Richard Craig writes: 'I imagined a similar scene and relished the challenge of recreating the vivacity of folk musicians and dancers in the twists and turns of my ornamentation.'


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Fantasia No. 9 featured on Spotify Classical New Releases playlist
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Richard writes about his work and career:

'In my various guises as a new music performer, collaborator, improviser/composer I have played alongside musicians such as Rohan de Saram, Roberto Fabbriciani, Barry Guy, Angharad Davies, Rhodri Davies and new music groups ELISION, Musikfabrik, Klangforum Wien, and the RTÉ Orchestra. Closer to home, I have been a guest musician with most of the UK’s new music groups: Welsh ensemble Uproar, and London-based Riot Ensemble, Ensemble Octandre, Explore ensemble, and in Scotland the Hebrides Ensemble and Red Note. I was a founding member of the Spanish group SMASH and Manchester-based Distractfold Ensemble.

Exploring solo performance has been and continues to be an important journey for me. It has led me to develop a distinctive approach to the flute; to re-invigorate older music, as well as exploring improvised and notated contemporary works.

My own compositions are often a series of smaller works under a collective title: the first being Amp/Al for flute/s and feedback (2012-15) and the most recent being Hortulus Animae (2015 – 2019) for flute/s and fixed media. Composing and improvisation are linked to my interests in the visual arts and I also use video and photography in my work.

Alongside my work as a performer, I am also a teacher. I give masterclasses and lead workshops and seminars in chamber music, ensemble performance and flute playing. I was a Visiting Fellow in Performance at theUniversity of Aberdeen 2010–12. In 2015 I was appointed as a lecturer and Head of Performance at Bangor University, Wales, a post I held until 2019; during this time I was also an Honorary Research Fellow at the University of Huddersfield from 2014 to 2019. Outside of academia, I have been invited to teach on courses such as theEstalagem da Ponta do sol residency in Madeira, and also the Distat Terra Academy in Argentina. I received my PhD from Middlesex University in 2020. As a writer I have contributed to publications for Örat, and the Orpheus Institute.

My solo discs INWARD (2011) and VALE (2017) were released on the Métier label: they document my work with composers Esaias Järnegard, Richard Barrett, John Croft, Malin Bång, Brice Pauset, Evan Johnson and Fabrice Fitch. Other recordings of note include the composer John Croft’s monograph disc Seirenes in 2019 (First Hand Records), and two discs with Another Timbre, performing the works of Jürg Frey and Magnus Granberg. I have recorded several albums and live broadcasts for the BBC, WDR Cologne, YLE Finland, Radio France, Radio Nacional de España, Swedish Radio, ARTE, Métier, Another Timbre, FHR, Icelandic RUV, as well as curated releases of repertoire, and my own compositions. In 2021, I will be releasing a re-interpretation of the Telemann Fantasias on the Ulysses Arts label, and composer Oliver Seale’s portrait disc with Scottish label, Delphian.

I studied flute at the RSAMD (now the Royal Conservatoire of Scotland) with Sheena Gordon and later with Richard Blake. After graduating with honours, I continued my studies at the Conservatoire de Strasbourg, France, with Mario Caroli with support from a Dewar Award and the Scottish International Educational Trust. As well as working with the full range of flutes from contra to piccolo, I play on two Rudall Carte wooden flutes from the early and mid-20th century, restored for me by Arthur Haswell. One of these instruments was originally commissioned by renowned Italian teacher and soloist Alberto Veggetti (1874 – 1948).

I currently live in Edinburgh where I run my own flute studio.'



'To go directly to the matter in hand: the playing on this disc is sensational.'
Johan Svensson, Nutida Musik


'Pushing the instrument to its technical and expressive limits ... a tour de force.'
Tim Ashley, The Guardian



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NAREH ARGHAMANYAN - BRAHMS INTERMEZZI OP. 117 AND TCHAIKOVSKY THE SEASONS - SOLO PIANO ALBUM LAUNCHING ON 7 MAY 2021

14/4/2021

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Click above to download with digital booklet on iTunes
The birthdays of Brahms (1833-1897) and Tchaikovsky (1840-1893) fall on 7th May. The 127th day of the year also marks the night of the première of Beethoven’s 9th Symphony in 1824, the foundation of the Council of Europe in 1948 – and the day of the recording session leading to this album, in Vienna, on a Bösendorfer Concert Grand 280VC with Armenian pianist and Bösendorfer Artist Nareh Arghamanyan in 2019. Nareh, acclaimed for her ‘sensual narrative tone’, ‘precise stylistic approach’ and ‘dazzling technique’, juxtaposes two vignettes of the Romantic piano repertoire: Brahms Opus 117 and Tchaikovsky’s Opus 37.
 
Above the music of the first of Brahms’ Intermezzi Op. 117 of 1892, he quotes the opening of Johann Gottfried Herder’s German setting of Lady Anne Bothwell’s Lament; he described the third, in C-sharp Minor, which allegedly was inspired by Henry Longfellow’s Victor Galbraith, as ‘the lullaby of all my sorrows’. Clara Schumann, arguably their covert dedicatee, confided to her diary that these compositions are ‘a true source of enjoyment, everything, poetry, passion, rapture, intimacy, full of the most marvellous effects … in these pieces at least I feel musical life stir once again in my soul.’

Tchaikovsky was working on Swan Lake, when he accepted a commission in 1875 from Nikolay Bernard, publisher of music periodical Nouvellist to compose twelve miniatures, each describing a different month of the year. The Seasons have become Tchaikovsky’s best-known piano works – Troika (November) was a favourite encore of Rachmaninoff's.



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Pianist Nareh Arghamanyan has received critical acclaim for her ‘sensual narrative tone’, ‘dazzling technique’, ‘charismatic stage presence’ and has been described as ‘a major talent’ (Harris Goldsmith, Musical America). Nareh has received more than twenty awards, including First Prize at the 2008 Concours Musical International de Montréal. Nareh’s concerto repertoire includes more than 30 works and she has performed with leading orchestras and in solo recitals in major concert venues across the world.

Aged fifteen, Nareh became the youngest ever student at the Vienna University of Music and Performing Arts, studying with Heinz Medjimorec and Avedis Kouyoumdjian, and with Arie Vardi at the Hannover Academy of Music. Only five degrees of separation: Nareh’s first teacher was Alexander Gurgenov at The Tchaikovsky Music School in Yerevan, Armenia. Gurgenov was a pupil of Alexander Edelmann, whose teacher Heinrich Neuhaus was taught by Felix Blumenfeld, who studied composition with Tchaikovsky.

Nareh Arghamanyan’s discography includes a Rachmaninoff solo album with Pentatone, the Piano Concertos of Liszt, Prokofiev (No. 3) and the Khachaturian Piano Concerto with the Berlin Radio Symphony Orchestra and Alain Altinoglu, and the first recording of Franz Danzi’s Piano Concerto with the Munich Chamber Orchestra and Howard Griffiths, released by Sony Classical. Nareh also enjoys transcribing orchestral and instrumental works for solo piano, including music by J.S. Bach, Khachaturian, Komitas, Piazolla, Rachmaninoff, Richard Strauss, Tarrega and Tchaikovsky.

Nareh is a passionate teacher, keen to pass on her musical heritage to younger generations. And she engages strongly in supporting benevolent causes and frequently performs for charitable projects including support for children with leukemia, assisting orphanages and disaster zone victims, for which she has raised more than 200,000 euros.



Apple Music Playlists
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Tchaikovsky, May - Starlit Nights, on The Late Romantics
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Brahms, Intermezzo No. 2 on Classical Music for Love
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Tchaikovsky, May - Starlit Nights, on New in Classical
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Tchaikovsky, June - Barcarolle, on Classical Kids

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