Lyrita Recorded Edition releasesGeorge Lloyd's Violin Concertos and 'Cello Concerto album on 5 July 2024. The Violin Concertos are performed by Cristina Angeleschu and the Philharmonia Orchestra, conducted by David Parry; the 'Cello Concerto with Anthony Ross and the Albany Symphony Orchestra, conducted by David Alan Miller. The Concertos' printed scores (SRMP 0066, 0070 and 0074 and associated sheet music) will be published on 2 August.
'George Lloyd started to learn the violin at the age of five and he was a pupil of the violinist Albert Sammons for six years. Despite his facility in playing the violin and the importance he attached to his lessons with Sammons, Lloyd was slow to compose works for his own instrument. It was not until 1970 that Lloyd wrote Violin Concerto No. 1, his first piece with a leading role for his own instrument, but this achievement seemed to stir his enthusiasm and during the next seven years he completed a number of short pieces for violin and piano, a fully-fledged sonata and a second concerto. Violin Concerto No. 1 was written in 1970 and remained unperformed until the recording featured on this release took place in the summer of 1998. Seven years elapsed before Lloyd wrote a second concerto for the violin. One of Lloyd’s purest, most directly communicative melodies graces the Largo third movement.
The solo instrument’s poetic qualities are to the fore in music of supplicatory spirit. In a couple of ear-catching passages, the soloist’s scrunchy, dissonant chords have the raspy nostalgia of a squeeze box. Lloyd completed his 'Cello Concerto in July 1997, a year before his death at the age of 85 and in this autumnal piece, one can discern a wistful, valedictory quality, with feelings of sorrow and regret surfacing repeatedly. The solo instrument’s inherently lyrical aspect is suited to the composer’s expressive needs, and the one-movement format allows the musical narrative to ebb and flow naturally so that this work has a strong claim to be regarded as Lloyd’s most formally successful concertante piece. A small orchestra is required, consisting of double woodwind, three horns, modest percussion (for one player) and strings.' © Paul Conway
'These two works were recorded during the week before George Lloyd died on July 3, 1998. He was supposed to conduct these performances, but David Parry stepped in at the last minute with the wonderful Romanian violinist Cristina Anghelescu and members of the Philharmonia Orchestra to complete the project. The recording was made in Henry Wood Hall. George was even too ill to attend the sessions, but he was making suggestions as to the best placement of the players to achieve just the recorded sound he wanted 48 hours before his death. This beautiful recording is a fine and lasting memorial to this composer whose music brings such passionate joy to so many music lovers all over the world.' Presto Classical
The solo instrument’s poetic qualities are to the fore in music of supplicatory spirit. In a couple of ear-catching passages, the soloist’s scrunchy, dissonant chords have the raspy nostalgia of a squeeze box. Lloyd completed his 'Cello Concerto in July 1997, a year before his death at the age of 85 and in this autumnal piece, one can discern a wistful, valedictory quality, with feelings of sorrow and regret surfacing repeatedly. The solo instrument’s inherently lyrical aspect is suited to the composer’s expressive needs, and the one-movement format allows the musical narrative to ebb and flow naturally so that this work has a strong claim to be regarded as Lloyd’s most formally successful concertante piece. A small orchestra is required, consisting of double woodwind, three horns, modest percussion (for one player) and strings.' © Paul Conway
'These two works were recorded during the week before George Lloyd died on July 3, 1998. He was supposed to conduct these performances, but David Parry stepped in at the last minute with the wonderful Romanian violinist Cristina Anghelescu and members of the Philharmonia Orchestra to complete the project. The recording was made in Henry Wood Hall. George was even too ill to attend the sessions, but he was making suggestions as to the best placement of the players to achieve just the recorded sound he wanted 48 hours before his death. This beautiful recording is a fine and lasting memorial to this composer whose music brings such passionate joy to so many music lovers all over the world.' Presto Classical
'Those familiar with Lloyd's warm, spacious, big-hearted, sumptuously orchestrated symphonies won't be disappointed with his violin concertos.' American Record Guide
Electronic press kit and pre-release listening links are available for reviewers from Ulysses Arts.
