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WILLIAM THOMAS MCKINLEY STRING QUARTETS VOL. 1 RELEASED DIGITALLY ON 17 APRIL 2026

20/2/2026

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William Thomas McKinley String Quartets Vol. 1 (MS104) is released digitally on 17 April 2026 by the McKinley Foundation, in partnership with Ulysses Arts.
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Click cover above to pre-order from iTunes with digital booklet.
Stirng Quartet No. 1 is from McKinley's student days: two superficially contrasting movements, but full of subtle connections, including angular melodic lines, chromatically inflected intervals, imitative counterpoint and tripartite textures with melody and accompanyment and often a third line commenting on both.

Quartet No. 7's eight movements constitute a panoply of aesthetic directions, from sarcasm, pastiche and profound lyricism.

No. 4 - Fantasia Concertante - is a unapologetically modernist, embracing new complexity. Its a single movement: dense, deeply chromatic,and brilliantly textural—and yet remains accessible.

No. 9 (1992), subtitled “moments musicals”, incorporates jazz and abstract harmony into a coherent, mature whole, in eleven short movements with an early 1990s post-minimalist character.

Pre-order William Thomas McKinley String Quartets Vol. 1 with booklet:

ITUNES

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AMAZON MUSIC

More download and streaming links will be published here on 17 April.


Electronic press kit for reviewers and radio producers available from Ulysses Arts.

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PAUL HENLEY PIANO WORKS VOLUME 2 WITH PAVEL TIMOFEYEVSKY RELEASED BY ULYSSES ARTS ON 29 MAY 2026

11/2/2026

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Ulysses Arts releases Paul Henley Piano Works Volume 2, performed by Pavel Timofeyevsky, on 29 May 2026, in partnership with Bridges Music (UA260050).
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Click image above to pre-order from iTunes with digital booklet

PRE-ORDER LINKS:
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AMAZON MUSIC

More download and streaming links will be published here on release day.

Electronic press kit available from Ulysses Arts.

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JEREMY BECK CHAMBER MUSIC ALBUM RELEASED BY ULYSSES ARTS ON 8 MAY 2026

7/2/2026

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Jeremy Beck Chamber Music, with world première recordings, is released by Ulysses Arts on 8 May 2026 (UA260030):
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Click image above to pre-order from iTunes with digital booklet
Quartet for Flute, Clarinet, Cello and Piano 2017
1. Lively
2. With calm and grace 
3. Flowing
4. Playful and light
A/Tonal Ensemble: Kaelah McMonigle, flute; Carrie RavenStem, clarinet
Jon Silpayamanant, cello; Jessica Litwiniec Dorman, piano
 
Songs of Love and Remembrance 2011
5. An Argument (Moore)
6. Time does not bring relief (Millay)
7. A Drinking Song (Yeats)
8. When the year grows old (Millay)
Emily Albrink, soprano; Sila Darville, violin; Jessica Litwiniec Dorman, piano

9. Star Dance 2014 for percussion and piano
Tanner Leonardo, percussion; Jessica Litwiniec Dorman, piano

Sonata 1987
1o. Lively, with spirit
11. With tenderness
12. Aggressively
Jennifer Potochnic, oboe; Jessica Litwiniec Dorman, piano
 
13. Nightlife 2008 for four pianos
Jessica Litwiniec Dorman, pianos
 
Sonata No. 3 2012 for violin and piano
14. Always moving forward
15. Allegretto e leggiero
16. Playfully
Sila Darville, violin; Jessica Litwiniec Dorman, piano

Pre-order Links:
ITUNES
QOBUZ 
AMAZON MUSIC


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Jeremy Beck’s music has been presented by New York City Opera, American Composers Orchestra, ETHEL, San Francisco Ballet Orchestra, the Louisville Orchestra, Orquesta de Cámara de Bellas Artes (Mexico City), Portland (Maine) Symphony Orchestra, Center for Contemporary Opera, Peabody Opera, Yale Opera, and the Nevsky String Quartet, among others He has received honors and awards from the Boston Chamber Orchestra, The King’s Singers, National Opera Association, Musica per Archi International Composition Competition, the Arts Councils of Iowa, California and Kentucky; he has enjoyed residencies at Copland House, Hambidge (GA) and The Millay Colony.

A graduate of the Mannes College of Music, Duke University and the Yale School of Music, Beck formerly served as associate professor of composition and music theory at both the University of Northern Iowa and California State University-Fullerton.

Beck is the author of a third-person memoir, Memory Embraced, and the series Studies in Composition and Theory.He is a practicing attorney focused on copyright, trademark, entertainment and art law.

Beck 'knows the importance of embracing the past while also going his own way. …  Beck’s forceful and expressive sound world s concise in structure and generous in tonal language, savouring both the dramatic and the poetic.'
Donald Rosenberg, Gramophone

Electronic press kit for press reviewers and radio producers is available from Ulysses Arts.

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JOEL TOEWS, WE REMEMBER MOMENTS EP RELEASING ON 1 MAY 2026

3/2/2026

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We Remember Moments, the debut recording by Canadian composer and pianist Joel Toews, is released by Ulysses Arts on 1 May 2026 (UA260020).

'“We do not remember days, we remember moments.” (Cesare Pavese) My music evokes memories - not specific recollections, but moments imparting an experience’s emotions. Memory is fallible; remembering an entire day is impossible. Instead, we retain moments, snapshots of life affecting our minds and present.

Each work alludes to moments surrounding experiences, emotions and people. The melodies, harmony and rhythms are straightforward, composed not for show or gravitas, but as meditative reflection on moments worth remembering.' (Joel Toews)


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Click image above to pre-order on iTunes with digital booklet

1. Four Thousand and One: Joel Toews
2. Evergreen: Joel Toews, Jacqueline Goring
3. January (of 2020): Joel Towes
4. Prairie Skies: Joel Toews, William Lamoureux
5. August (of 2006): Joel Toews, Jess Lajner, William Lamoureux
6. Solace: Joel Toews, Matt Smith
7. Stephanie’s Theme: Joel Toews


Joel Toews, piano
Jacqueline Goring, harp; William Lamoureaux, violin
Jess Lajner, guitar; Matt Smith, trumpet

Pre-order We Remember Moments with digital booklet:

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Amazon Music

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Joel Toews is a Canadian composer, arranger, songwriter and pianist based in Toronto.

He studied at Berklee College of Music, then Jazz and Contemporary Popular Music at MacEwan University, where he wrote and arranged for string quartet, choir, jazz big band, piano trio and more, studying with Dr. Allan Gilliland, Kent Sangster and John McMillan. Currently he studies composition at York University, Toronto.

Composition credits include:

2018: Piano Trio 'Influence': International Keuris Composers Contest 4th prize.
2019: 'Ra’ah': Borealis Orchestra, Edmonton
2019: Film score for 'The Transit Lodge', directed by Kalyan Acharya

2021: Toronto Symphony Orchestra's Explore the Score program: mentorship from TSO composers and conductors and recorded reading of 'Athabasca', awarded first annual Litha Symphony Orchestra Composition Contest; first performed in New York City, 2022
2021: MacEwan University commission: 'Miriam', for big band, recorded in its 'Generations' Project.
2021: Suite for Piano and Cello, for Sahara von Hattenberger, blending elements of Canadian and Japanese culture, funded by Canada Council for the Arts: recording with visual accompaniment. 2022: 'Mirrors in Haida Gwaii' première: Sofia Symphonic Summit: Sofia Philharmonic Orchestra, Bulgaria
2022: 'Sleeping Giant': Orchestra Toronto Composer Prize commission.
2023: River City Big Band Edmonton commission, celebrating the planets, including a re-working of the opening of Richard Strauss's Also Sprach Zarathustra

2025: New Conductors Orchestra's Call for Scores winner, New York City.

Joel lives and works in Toronto. He is a piano, theory and composition teacher for children, youth, and adults; he works as a composer, arranger, and songwriter, and is Orchestra Manager of the Cathedral Bluffs Symphony Orchestra.




Electronic press kit available from Ulysses Arts.


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MUSIC CENTRE SLOVAKIA RELEASES SACRED MUSIC FROM THE ELEVENTH TO SEVENTEENTH CENTURY ALBUM ON 27 MARCH AND SACRED MUSIC OF THE TWENTIETH CENTURY ON 15 MAY 2026

2/2/2026

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Click images above to download/pre-order with digital booklet from iTunes

Music Centre Slovakia releases its album Sacred Music in Slovakia from the Eleventh to Seventeenth Centuries (HC10065) with the Ad Fontes Musical Ensemble digitally on 27 March, and Slovak Sacred Music of the 20th Century (HC10066) on 15 May 2026, in partnership with Ulysses Arts.

DOWNLOAD/PRE-ORDER FROM QOBUZ IN HD SOUND WITH BOOKLET

Sacred Music in Slovakia of the 11th to 17th Centuries (download)

Slovak Sacred Music of the 20th Century (pre-order)



Sacred Music in Slovakia from Sources of the 11th-17th Centuries features Gregorian plainchant comes from manuscript codices dating from the 11th to the 16th centuries, set in the context of the vocal polyphonic repertoire from 17th-century Spiš and Šariš sources. The selection of compositions on the recording is thematically based on two five-voice polyphonic works — Magnificat octavi toni by David Thusius and the anonymous Te Boha chwalime — taken from the Levoča Music Collection and the Ľubica Hymnal.

Additional sources of the repertoire include the Bratislava Antiphonaries, the Spiš Missal, the Bardejov Music Collection, and other manuscripts. The selected works were recorded by the vocal-instrumental ensemble Ad Fontes Musical Ensemble under the artistic direction of Sylvia Urdová.






Download or stream on PRESTO MUSIC

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ESO Records releases Mahler, Symphony No. 9, arranged by Klaus Simon, on 10 April 2026

22/1/2026

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Click cover above to pre-order on iTunes with digital booklet
ESO Records releases Mahler, Symphony No. 9, in the chamber version by Klaus Simon, on 10 April 2026, in partnership with Ulysses Arts (ESO2602).

Pre-order now from iTunes with digital booklet

Pre-order from Amazon Music

Pre-order now from Qobuz at up to 196KHz high resolution, with booklet 

More download and streaming links will be published here.

Electronic press kit for reviewers and radio producers available from Ulysses Arts.

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ESO Records releases Poulenc, Hindemith, Pinkham Works for Organ and Orchestra, with soloist Iain Quinn, conducted by Kenneth Woods, on 13 March 2026

22/1/2026

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Click the image above to download on iTunes with digital booklet
ESO Records releases Poulenc, Hindemith, Pinkham: Works for Orchestra and Orchestra, with soloist Iain Quinn, the English Symphony Orchestra/English String Orchestra, and conductor Kenneth Woods, on 13 March 2026, in partnership with Ulysses Arts (ESO2601).

Download from iTunes with digital booklet

Download from Qobuz at up to 192KHz with booklet

Download from Amazon Music

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Organist Iain Quinn was born in Cardiff, Wales. He grew up as a chorister at Llandaff Cathedral, also studying the organ, piano, and trumpet. At fourteen, he was appointed Organist at St Michael’s Theological College, Llandaff. He later joined the faculty of the Blackheath Conservatoire of Music, London. In 1994 he moved to the USA for study at The Juilliard School, the University of Hartford (BM) and the Institute of Sacred Music, Yale University (MM), returning to the UK in 2009 as a Doctoral Fellow at the University of Durham (PhD historical musicology).

He has released fifteen CDs on the Chandos, Guild, Hyperion, Naxos, Paulus, Raven, and Regent labels. His most recent recordings include Haydn Organ Concertos with Arcangelo and Jonathan Cohen (Chandos), Organ Music of Vincent Persichetti, and Organ Music of Zoltán Kodály (Naxos). He has completed critical editions of the previously unpublished organ works and early Christmas cantata of Samuel Barber (G. Schirmer), the complete organ works of Carl Czerny (2 volumes, A-R Editions), the complete anthems of John Goss (A-R Editions), and two volumes volume of the Elgar Complete Edition. He is the editor of an ongoing series of English Organ Sonatas (Ut Orpheus Edizioni) and the author of four books: The Genesis and Development of an English Sonata (Routledge – Royal Musical Association Monograph Series); The Organist in Victorian Literature (Palgrave Macmillan); Music and Religion in the writings of Ian McEwan (Boydell and Brewer); Rudolph Ganz, Patriotism and Standardization of The Star-Spangled Banner, 1907-1958 (Routledge).

Dr Quinn is Professor of Organ at Florida State University and the Research Fellow in the Arts and Humanities in the Office of the Vice President for Research. He is an Honorary Research Fellow of the Royal Academy of Music.



Hailed by Gramophone Magazine as “a symphonic conductor of stature”, Kenneth Woods was appointed Artistic Director and Principal Conductor of the English Symphony Orchestra in 2013, and has quickly built up an impressive and acclaimed body of work and recordings with them. Woods also serves as Artistic Director of both the Colorado MahlerFest – the only US organisation other than the New York Philharmonic to receive the International Gustav Mahler Society’s Gold Medal – and (since 2017) the founding Artistic Director of The Elgar Festival in Worcester. Woods has conducted the National Symphony Orchestra, Royal Philharmonic Orchestra, Cincinnati Symphony, BBC National Orchestra of Wales, Budapest Festival Orchestra, Royal Northern Sinfonia and the English Chamber Orchestra, and has made numerous broadcasts for BBC Radio 3, National Public Radio and the Canadian Broadcasting Corporation. He has appeared on the stages of some of the world’s leading music festivals, such as Aspen, Scotia and Lucerne.

Under Kenneth Woods’ leadership, the English Symphony Orchestra has gained widespread recognition as one of the most innovative and influential orchestras in the UK. The first of Woods’ many acclaimed ESO discs was  Volume One in the Complete Piano Concertos of Ernst Krenek, selected by The Times as one of their “Best Recordings of 2016.” His recording of Fraser’s Elgar orchestrations for Avie was a Classic FM Disc of the Month. The ESO’s Nimbus Alliance recording of Kenneth’s orchestration of Brahms’ Piano Quartet in A Major was chosen as one of the 10 Best Classical CDs
of 2018 by The Arts Desk. In 2016 Woods and the ESO launched their 21st Century Symphony Project, an ambitious multi-year effort to commission, premiere and record nine new symphonies by leading composers, with the triumphant premiere of Philip Sawyers’ Third Symphony at St John’s Smith SIn 2018, the Project continued with the premiere of David Matthews’ Ninth Symphony, selected by The Spectator as one of the Top Ten Classical Events of the year, followed in 2019 by Matthew Tayloh Symphony, hailed by ClassicalSource as “a masterpiece” at its premiere. The most recent offerings in the 21st Century Symphony Project include Robert Saxton’s Scenes from the Epic of Gilgamesh and Adrian Williams’s First.



Electronic press kit available for reviewers and radio producers from Ulysses Arts.

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Sabi Ensemble releases 'From The Heart' debut album of music by Coleridge-Taylor and Farrenc on 24 October 2025

6/10/2025

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The Sabi Ensemble releases its debut album From The Heart - music by Coleridge-Taylor and Louise Farrenc - with Penny Fiddle Records, distributed in partnership with Ulysses Arts, on 24 October 2025 (PFR202503CD).
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Click above to download on iTunes with digital booklet or stream on Apple Music
'Should [imaginative art] not come from the heart as well as the brain?'
Samuel Coleridge‐Taylor, 1911

This poignant question—posed by Coleridge‐Taylor months before his death— encapsulates the emotional core of the Sabi Ensemble’s debut album, From The Heart.

The SABI 
ENSEMBLE, founded in 2024 by historical bassist Carina Cosgrave, is committed to reviving works by composers whose work has been unjustly forgotten and placing this music from the margins centre stage. The programme celebrates two 150th anniversaries and is the first time Coleridge-Taylor’s music has been recorded on period instruments.
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The Sabi Ensemble
The album features two of Samuel Coleridge-Taylor’s expressive Novelletten - rarely heard works arranged by the SABI ENSEMBLE that reveal his sharp craft and lyrical voice; his Nonet - a student composition which cemented his status as a breathtaking composer at the young age of 18; and Louise Farrenc’s Nonet - a powerful piece written at the height of her career. After the death of her daughter, Farrenc ceased composing—her creative life halted by grief. 

Together, these works frame a recording that acknowledges not only artistic brilliance, but the personal stories behind it. Using historically-informed performances on period instruments, From The Heart offers listeners a window into the expressive richness of neglected repertoire— interpreted with care and curiosity.

Launch Concerts

18th October 2025 - Showcase Event, Classically Black at Kings Place, London
25th October 2025 Parish Church of Ascension, Plumstead, London

Track List

Samuel Coleridge-Taylor (1875-1912), Nonet in F minor, Op. 2


1. Allegro moderato
2. Andante con moto
3. Scherzo: Allegro
4. Finale: Allegro vivace


Louise Farrenc (1804-1875), Nonet in E-flat, Op. 38

5. Adagio - Allegro
6. Andante con moto
7. Scherzo: Vivace
8. Adagio

Samuel Coleridge-Taylor arr. SABI ENSEMBLE

9. Novelletten IV
10. Novelletten II

Musicians
Catherine Martin (1st violin), Persephone Gibbs (2nd violin)
Clifton 
Harrison (viola), Sarah McMahon ('cello), Carina Cosgrave (double bass)
Rosie Bowker (flute) Leo Duarte (oboe) Fiona Mitchell (clarinet), Rebecca Hammond (bassoon), Nivanthi Karunaratne (horn), Olivia Sham (piano)

Piano Technician: Edmund Pickering
Recording Producer: Holly Harman
Sound Engineer, mixing & mastering: John Croft, Chiaro Audio
Recording venue Ascension Church, Plumstead, London 8-10 January 2025



Download from QOBUZ

Press and radio inquiries to WildKat PR London

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Evermore & Evermore - Music by Eric Choate - Christmas EP from St Mary's San Francisco, released on 21 November 2025

19/9/2025

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Ulysses Arts releases Christmas EP Evermore & Evermore, with music by Eric Choate, performed by the Choir of St Mary's Church San Francisco, on 21 November 2025.
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Click above to download now from iTunes with digital booklet or stream on Apple Music
These arrangements arose organically, first fashioned to supply instrumental parts for the annual Festival of Lessons and Carols at The Episcopal Church of St. Mary the Virgin in San Francisco. Developed during several years, they acquired a character beyond their initial purpose, growing ever more expansive in scope.

Prologues, interludes, and codas offer intervals for reflection, enabling the listener to linger upon the mystery of these sacred texts and find repose within the stillness of the Advent and Christmas seasons.‌

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Follow Eric Choate on Apple Music​





Electronic press kit for reviewers and radio producers available from Ulysses Arts.

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Albion Records releases Mantegna: Hymnody and Beyond, on 7 November 2025

18/9/2025

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Albion Records releases Mantegna: Hymnody and Beyond, on 7 November 2025, with London Mozart Players, Dulwich Choral Society and organist James Orford, conducted by William Vann (ALB067). The album features works by Vaughan Williams, Francis Jackson, Percy Whitlock, Henry Ley, Orlando Gibbons, William H. Harris, Helen Glatz, Malcolm Riley and a new commission from David Briggs.
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Click above to download on iTunes with digital booklet or stream on Apple Music

Vaughan Williams wrote 18 original hymn tunes and adapted 37 others, mainly from folk songs. Some of the tunes have been treasured by one generation after another; others are associated with less popular hymns and no so well-known. His hymn tunes, at both extremes, have inspired other composers to write or arrange works based on them. This album explores those arrangements; some of the hymns are also sung as they were written, so that the tunes can become familiar.

The tune 'Mantegna' was written for a passion-tide hymn about Christ’s agony in the Garden of Gethsemane. The poem was called ‘The Agony in the Garden’, which is also the name given to Mantegna’s 1455-56 painting (the album’s cover picture). Clearly, Vaughan Williams knew the painting, and named his tune after the artist.

The organist Francis Jackson (1917-2022) was fascinated by the 'Mantegna' tune, and wrote a set of orchestral variations on it, called Homage to Vaughan Williams. This is the album's most substantial work. We commissioned another organist, David Briggs, to write an organ Carillon, based on another Vaughan Williams tune, 'White Gates'.

Other composers and arrangers represented include Percy Whitlock, William H Harris, Henry Ley, Helen Glatz and Malcolm Riley. We also celebrate, in his quatercentenary year, Orlando Gibbons who, in his turn, inspired Vaughan Williams.
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Dulwich Choral Society was founded in 1944 and performs at least three concerts a year in Dulwich, including working with local schools and charities.

The London Mozart Players are the UK’s oldest, freshest and most adventurous chamber orchestra.

James Orford is a prize-winning organist and pianist based in London. He is the Organist at St Paul’s Cathedral, London.

William Vann is particularly renowned for his revival performances and recordings of lost and lesser-known works of vocal and choral music by British composers.

The recording was made at St Mildred, Addiscombe, Croydon in April 2025. The Producer was Andrew Walton and engineer Tim Burton, of K&A Productions.





​Download or stream from PRESTO MUSIC


Electronic press kit for press reviewers and radio producers is available from Ulysses Arts.

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Beethoven Kreutzer Sonata and Franck Violin Sonata with Sif Margrét Tulinius and Richard Simm released by Ulysses Arts on 28 November 2025

17/9/2025

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Violinist Sif Margrét Tulinius and pianist Richard Simm's album of Beethoven's Kreutzer Sonata and Franck, Violin Sonata, is released by Ulysses Arts on 28 November 2025 (UA250090).
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Click above to download on iTunes with digital booklet or stream on Apple Music
'On a new path'...

The two Sonatas on this ­ album were ­ written more than 80 years apart and are two of the greatest ­ contributions to the sonata repertoire for violin and piano. Soon before writing his great Kreutzer Sonata, Beethoven confided in his close associate and student Carl Czerny: 'I 
am not satisfied with the work I have done so far. From now on, I intend to ­ embark on a new path.' The Kreutzer's artistic legacy includes Tolstoy's short story of the same name, which itself inspired Janáċek impassioned First String Quartet.

Franck's Violin Sonata is both a tribute to Beethoven but also itself a masterpiece applying the cyclic form inspired by Franz Liszt's great Piano Sonata, to create a new type of chamber music in which thematic transformation is integrated and explored like never before.

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'It would be hard to imagine any other pair delivering more engaged performances of these core parts of the violin sonata repertoire'. Ron Scheffer, Textura, February 2026


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 Magnús Lyngdal Magnússon, ​Menning Morgunblaðsins
19 January 2026
'Top-Rank Artists'

​Violinist Sif Margrét Tulinius and pianist Richard Simm recorded 'Beethoven & Franck' in Reykjavik's 'Salurinn' Hall in July 2025, following the successful concert they gave there to a full house in June of the same year. For the recital I gave them a full five stars ranking under the title, 'Hugrekki' (Courage). On their new album, Sif Margrét and Richard play Franck's A Major Sonata and Beethoven's 'Kreutzer' Sonata.

César Franck (1822-90) presented his Sonata as a wedding gift to the Belgian violin virtuoso Eugène Ysaÿe in 1886, and it quickly became one of the cornerstones of violin literature. Both the violin and piano parts are sophisticated, as well as technically and interpretively demanding. Franck, originally an organist, had unusually large hands, but he does not appear to have taken into account that most pianists would therefore find it difficult to play exactly what he wrote!

Just as at their concert in 'Salurinn' in June 2025, both Sif Margrét's and Richard's playing of Franck on the album is highly convincing. One could mention the integrity of the long musical lines in their interpretation, while both performers produce a deep, powerful and singing tone.

The same applies to the performance of Sonata No. 9, Op. 47 ('Kreutzer') by Ludwig van Beethoven (1770-1827). His composing career is divided into three periods: the first until 1802, sometimes called his 'developmental' period, the middle period from 1802-1812, sometimes called 'heroic', and the last from 1812 until his death in March 1827. Beethoven wrote the 'Kreutzer' in 1803, which dates it from the first half of his 'heroic' period. It is not only the composer's longest violin sonata, but it is also probably the most technically difficult for the violinist and pianist. The Sonata strikes a new tone, whether in the sonata form of the first movement (Adagio sostenuto - Presto) or in the totally different second movement of the work (Andante con variazione), which is superbly played on the album, as in the concert.

'Beethoven & Franck' is the second album that Sif Margrét has recorded for label Ulysses Arts, and is a welcome addition to the instrumental music that we heard on the first album [De Lumine]. With their latest recording, Sif Margrét and Richard are confirmed as being among the top-rank of artists in the country, something long overdue.






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ALBION RECORDS RELEASES 'I HAVE LIVED AND LOVED' ON 12 SEPTEMBER 2025

9/9/2025

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Albion Records releases I have lived and loved - songs by Vaughan Williams, Peggy Glanville-Hicks, John Raynor and Percy Grainger, with mezzo-soprano Kathryn Rudge, tenor Alessandro Fisher and pianist Penelope Thwaites, on 12 September 2025.


John Francis from Albion Records writes: 'Plans for this album, devised by Penelope Thwaites, celebrates the depth and richness of folk music's influence on the music of Ralph Vaughan Williams and his contemporary and friend, Percy Grainger. Vaughan Williams's great cycle, Songs of Travel, here sung for the first time by a woman, is a masterful evocation of this spirit. There is ample historical evidence for women singing and recording these songs, from Ada Crossley under Sir Henry Wood in 1910 to later singers such as Dame Janet Baker, but on record the Cycle has been a male preserve until now.

'Folk influence' is more than musical. Its roots are in the lives of individuals: an unconscious need to express happenings and the feelings thus provoked. Love and its never-ending complexities is the main impulse, expressed beautifully in the album's Vaughan Williams's operatic songs: love of people, of the natural world and endless connections between the two.

We are proud to present Penelope Thwaite's concept for this pioneering recording with Kathryn Rudge. Alessandro Fisher sings three songs from Vaughan Williams’s operas. We then hear two songs from Vaughan Williams’s former pupil, Peggy Glanville-Hicks (another Australian) and two from John Raynor – a composer for whom Vaughan Williams once sponsored a concert, but whose music has not been recorded until now. Percy Grainger contributes six songs and three duets to conclude the album. The contrasts within this group are remarkable: you will find pathos, humour, and in the final wordless duet, his love for his native Australia.'


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PictureKathryn Rudge, Penelope Thwaites and Alessandro Fisher
Penelope Thwaites AM is known internationally as a concert pianist, composer, broadcaster, editor and festival curator. She has performed in 35 countries, including as soloist with leading orchestras including the Philharmonia, London Philharmonic, BBC Concert Orchestra, Rotterdam Philharmonic and many more throughout Europe, America and Australia. She is acknowledged as a leading exponenet of the music of Percy Grainger, and is editor of The New Percy Grainger Companion.

Kathryn Rudge studied at RNCM, has won numerous awards and was an ENO Harewood Artist, a YCAT artist and a BBC New Generation Artist. She has featured on many recordings including Parry’s Judith with the London Mozart Players (Chandos, 2020).

Alessandro Fisher won First Prize at the 2016 Kathleen Ferrier Awards and was a member of the BBC New Generation Artist Scheme between 2018 and 2021. This is his second recording for Albion Records; the first was ALBCD057 Portraits of a Mind, with William Vann, piano, and the Navarra String Quartet, comprising song cycles by Ian Venables and Ralph Vaughan Williams.

The recording was made at Potton Hall, Suffolk, in July 2024. The Producer was Tim Burton and Engineer Deborah Spanton, both of K&A Productions.




Pre-release Singles


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MUSIC CENTRE SLOVAKIA: DIGITAL RELEASE OF SLOVAK PIANO SONATINAS DOUBLE ALBUM ON 31 OCTOBER 2025

4/9/2025

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Music Centre Slovakia releases Slovak Piano Sonatinas double album performed by Magdaléna Bajuszová, on 31 October 2025, in partnership with Ulysses Arts, on all digital services.
​

 DOWNLOAD OR STREAM ON AMAZON MUSIC

Pre-release Single


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(quasi una) Fantasia: Craig and Telemann album released by Ulysses Arts on 7 November 2025

30/7/2025

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Ulysses Arts releases (quasi una) Fantasia, with Telemann, Flute Fantasias and world premières by Richard Craig, on 7 November 2025.
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Richard Craig comments: 'I have recorded nine of Telemann's twelve Fantasias grouped here into four sets. I hear these groupings as Imaginary Sonatas - an exposition of a longer Fantasia form in which each set proliferates the next, and not necessarily in the conventional sense of key or temperament. In between my groupings I have placed my own works which are improvisations. They offer a contemporary perspective of the Baroque’s musical possibilities. They are my own fantasias: rather than guided by melodic lines: pleats, weaves and warps of musical ideas that have radiated from my work on the Telemann. I added titles to my works in post-production. These relate to aspects of the Fantasias, with added poetic turns of phrase and borrowed words from Shakespeare’s Tempest Scene II Act 1.'



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Colorado MahlerFest releases live recordings of Richard Strauss, Alpine Symphony on 29 August and Mahler, Symphony No. 4 and Wunderhorn Songs, on 12 September 2025

16/7/2025

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Colorado MahlerFest releases live recordings of Richard Strauss, An Alpine Symphony, on 29 August, and Mahler, Symphony No. 4 and Wunderhorn Songs with soprano April Fredrick and tenor Brennen Guillory on 12 September 2025, conducted by Kenneth Woods. 


Pre-order from QOBUZ:
RICHARD STRAUSS ALBUM
MAHLER 4/WUNDERHORN ALBUM


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available for reviewers and radio producers from Ulysses Arts.


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