'La Casa and Madrigale are built substantially on Laura Catrani's voice,: the recordings, sampling and processing of the voice give total life to the sound palette. La Casa (The House) represents our most intimate space, the heart of our existence. Madrigale is a song, of sorrow and hope. At the origins of these pieces there is a broader work: Unheimlich - exiles in their own land, a variable score for sound and image, female voice, percussion, electronics, first performed at Mittelfest, Cividale del Friuli, in 2002.'
LAURA CATRANI SINGS LA CASA AND MADRIGALE BY MICHELE TADINI, RELEASING ON 18 DECEMBER 202028/11/2020
Ulysses Arts releases Michele Tadini's contemporary vocal works La Casa and Madrigale, with all parts sung by Laura Catrani, and electronic sampling by the composer. Michele Tadini comments:
'La Casa and Madrigale are built substantially on Laura Catrani's voice,: the recordings, sampling and processing of the voice give total life to the sound palette. La Casa (The House) represents our most intimate space, the heart of our existence. Madrigale is a song, of sorrow and hope. At the origins of these pieces there is a broader work: Unheimlich - exiles in their own land, a variable score for sound and image, female voice, percussion, electronics, first performed at Mittelfest, Cividale del Friuli, in 2002.'
UPC: 5054526834538
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Ulysses Arts launches double bass player Valentina Ciardelli's recording of the Andante Cantabile from Beethoven's Pathétique Sonata in celebration of the great composer's birthday on 16 December 2020. This is the first of a series of singles Ulysses Arts is releasing, recording during the Pandemic, including Valentina's arrangements and her own original compositions, with Questi cazzi di bicordo - a vituoso double-stopping extravaganza for double bass - released on 28 January 2021, Vissi d'arte from Puccini's Tosca on 19 March and the Intermezzo from Mascagni's Cavalleria rustivana on 2 April.
Coming soon: Igor, Valentina's tribute to Stravinsky, on 11 June, and A Bunch of ... on 2 July.
Click above to download on iTunes
LISTEN ON SPOTIFY
OTHER STREAMING LINKS
1. Tomaso Albinoni (1671–1751): Sonata in D Minor, Op. 4 No. 1: I. Adagio
2. Antonio Bertali (1605–1669): Ciaccona in C Major 3. Elisabeth Jacquet de La Guerre (1665–1729): Violin Sonata No. 2 in D Major: II. Adagio 4. Andrea Falconieri (ca. 1585–1656): Il Primo Libro di Canzone: Brando dicho el Melo; Corriente dicha la Mota, echa para Don Pedro dela Mota 5. Giovanni Battista Fontana (1589–1630): Violin Sonata No. 2 in D Major Tracks 1–4: Maximiliane Norwood (Baroque Violin), Jacopo Sabina (Theorbo) Track 5: Maximiliane Norwood (Baroque Violin), Cornelia Demmer (Theorbo), Chloé de Guillebon (Virginal)
YouTube
https://www.youtube.com/playlist?list=OLAK5uy_loIkTOZMHg0EVt4MoOZHc1aL2DUlMGBkM UPC: 5054526304741
…out of silence
Louth Contemporary Music Society proudly announces a bold initiative for these uncertain times: a series of recordings put together under the exceptional conditions of the pandemic, …out of silence lets listeners eavesdrop on music-making of extraordinary care and intimacy. The recordings feature world-renowned composers attuned to the intricacies of silence as much as sound. Performances are by musicians of equal sensitivity and expertise. The first ...out of silence release is Meadow, by Linda Catlin Smith, born in New York but long resident in Canada. Perhaps her music required a move away, a quieter environment, a different pace, another view. It is not city music. Rather, in its tuning and atmosphere, it suggests natural landscapes. “A meadow”, the composer has said, “is a simple place, with elements that are there quite naturally; it’s not a spectacular garden, but if you look closely there are many different types of plants and tiny flowers. It is a place of infinite variation.” This is how the music goes, weaving a meadow, weaving through a meadow, in stray fragments of tune that will be repeated until they dissolve or give way to something else, through chord sequences that move slowly but inexorably. Listeners are drawn into this gentle but alert music by three outstanding Irish string players: Mia Cooper, violin, Joachim Roewer, viola and Bill Butt, 'cello. There is no hurry, no need to hurry. To quote Linda Catlin Smith again, “I like to sit with things for a while, to dwell in the material, to have a chance to listen.” This is the experience she provides in Meadow. On the cover of the album is a striking image by the Irish artist Alice Maher. Release date: 11 December 2020 (5 February 2021: North America) Future releases will present music by Valentin Silvestrov and Raymond Deane on 5 March 2021, and Swiss master of unexpected simplicity Jürg Frey, with whom Louth Contemporary Music Society has over several years developed a close relationship. ...out of silence is funded by the Arts Council of Ireland and supported financially by Create Louth.
'Smith draws an exquisite range of colours from her three musicians, from dense chords to deliciously airy textures, soft violin harmonics soaring over the top. ... Magical stuff.'
Graham Rickson, The Arts Desk
'A captivating meditation upon being outside, whatever your ‘outside’ is.'
Richard Hanlon, MusicWeb International
'Performed with passionate grace ... a lost melancholy stillness, the imperfect yet uncorrupted order of an idealized bucolic scenery.' Esoteros
'An atmosphere of melody and polyphony without constraint, but also of contemplation and extraordinary warmth.' Tim Rutherford Johnson, The Rambler
'Music which wants the listener to become absorbed, to notice the small details and the telling way that things change ... a meadow that you can feel as well as hear. 'Planet Hugill
Mentored by the likes of legendary film composer Vangelis (Chariots of Fire, Blade Runner) and Quincy Jones (Frank Sinatra, Ella Fitzgerald, Miles Davis), Sacha studied at Boston’s Berklee College of Music and then Moscow’s Tchaikovsky Conservatory where he conducted Schubert’s Unfinished Symphony at the Bolshoi Hall on Christmas Day, 1991. Sacha has scored over 30 films with prestigious directors including Robert Lepage and John Pilger. For long term collaborator director John Drydon Sacha created the soundtracks to several multi-award winning BBC Radio 4 dramas such as A Suitable Boy and Bleak House. Along with a successful career in classical composition and film, Sacha was the long-standing keys and sometimes bass player for the multi-platinum selling band Bush and his best friend, front man Gavin Rossdale, headlining Woodstock in 1999 to 250,000 fans. Sacha has written and arranged for, and collaborated with, numerous big names in the pop and rock world, including Sia, Marcela Detroit (of Shakespeare’s Sister fame) Reef, Regina Spektor, and Andy Taylor. He released an album in 2005 entitled Remasterpiece on EMI Classics and has written for and featured on hundreds of other records including favourites on Café Del Mar.
You could say Sacha was destined to create Spirit of Cinema, with his background in film and sensitive ear his versions of these classic film score pieces for piano and orchestra not only do the originals justice, but bring a fresh new perspective to these varied genres of music. You can hear more on Sacha’s experience growing up around these films and artists and of course the music in the accompanying podcast, Spirit of Cinema available on all podcast platforms. SPIRIT OF CINEMA TRACKLIST • Love’s Theme by Giorgio Moroder for his Oscar winning score for Midnight Express (1978) • Sailing Homeward by Donovan for the Pied Piper (1972) • Chariots of Fire form Vangelis’ Oscar winning score for Chariots of Fire (1981) • War of the Buttons Suite from Rachel Portman’s score for the film War of the Buttons (1994) • First of May by The Bee Gees for the film Melody (1971) • Gabriel’s Theme by Ennio Morricone for The Mission (1986) which combines two pieces form the score (The Falls and Gabriel’s Oboe) and for which Morricone won the BAFTA and Golden Globe for his score. • Londonderry Air, which is a folk song from 1913 used by George Fenton for the film Memphis Belle (1980) • Eric’s Theme by Vangelis for Chariots of Fire (1981) • Theme from Midnight Express (Istanbul) by Giorgio Moroder for Midnight Express (1978) • The Confessional by Sacha Puttnam for Le Confessional (1995): Sacha’s original score • Going Home by Mark Knopfler for Local Hero (1983) • Boy’s Burial by Mike Oldfield for The Killing Fields (1984) Sacha currently is working on a documentary film on the life of Bauhaus trained designer and architect Marcel Breuer, a BBC Radio 4 drama, a podcast for Audible, and an Irish period drama. His next release with The Classic Film Orchestra and Ulysses Arts is Abraham's Theme by Vangelis, from Chariots of Fire, on 26 February 2021. MORE INFORMATION https://sachaputtnam.com https://mayamusic.co.uk https://www.spiritofcinema.co.uk https://www.facebook.com/events/967086123773285 Interviews and Review Requests Sacha Taylor-Cox / [email protected] / 07957 338525 Sullevan Archer / [email protected] / 07837 973878 With this heartfelt homage to his mentor, Vangelis, and his Oscar winning score for the film Chariots of Fire, Sacha Puttnam brings this timeless Olympic anthem to The Classic Film Orchestra with his tender touch on the piano. Sacha comments: ‘I met Vangelis aged eleven in his studio where I returned every day to learn not only music, but about life and art.’ This music will appeal to those nostalgic for the films, film scores and music of the eighties, but also to a younger audience, inquisitive to learn more about classical music and soundtracks. Chariots of Fire was the final pre-release prior to the launch of Spirit of Cinema, Sacha Puttnam's full album of piano and orchestra arrangements of great film scores, on Friday 6 November, including music by Vangelis, Ennio Morricone, Giorgio Moroder, The Bee Gees, Donovan, Mark Knopfler, Rachel Portman and Mike Oldfield. About Sacha Puttnam Cinema has always been a part of Sacha Puttnam’s life, his dad being the iconic and multi-award winning producer David Puttnam whose films have won 10 Oscars and 25 BAFTAS. Living, breathing and absorbing a world where he was surround by filmmakers, illustrious composers and music producers such as Mark Knopfler, Michael Kamen and George Fenton Sacha’s obvious aptitude for music flourished. Having been mentored by the likes of legendary film composer Vangelis (Chariots of Fire, Blade Runner) and Quincy Jones (Frank Sinatra, Ella Fitzgerald, Miles Davis), Sacha studied at Boston’s Berklee College of Music and then Moscow’s Tchaikovsky Conservatory where he conducted Schubert’s Unfinished Symphony at the Bolshoi Hall on Christmas Day, 1991. Sacha has scored over 30 films with prestigious directors including Robert Lepage and John Pilger. For long term collaborator director John Drydon Sacha created the soundtracks to several multi-award winning BBC Radio 4 dramas such as A Suitable Boy and Bleak House. Along with a successful career in classical composition and film, Sacha was the long-standing keys and sometimes bass player for the multi-platinum selling band Bush and his best friend, front man Gavin Rossdale, headlining Woodstock in 1999 to 250,000 fans. Sacha has written and arranged for, and collaborated with, numerous big names in the pop and rock world, including Sia, Marcela Detroit (of Shakespeare’s Sister fame) Reef, Regina Spektor, and Andy Taylor. He released an album in 2005 entitled Remasterpiece on EMI Classics and has written for and featured on hundreds of other records including favourites on Café Del Mar. Following Chariots of Fire, Sacha Puttnam launched Abraham's Theme, his next Vangelis release with The Classic Film Orchestra, on 26 February 2021. Abraham's Theme on Apple Music Playlists Chariots of Fire - links
Spotify Album URI spotify:album:5e2UQutDh0uGpYqLbdOncb Spotify Album URL: http://open.spotify.com/album/5e2UQutDh0uGpYqLbdOncb Spotify Track URI: spotify:track:70ro82XapxkjBCnAPNLjaq Spotify Track URL: http://open.spotify.com/track/70ro82XapxkjBCnAPNLjaq iTunes URL: https://music.apple.com/album/chariots-of-fire-from-chariots-of-fire-single/1535227141 Apple Music URL: https://music.apple.com/album/chariots-of-fire-from-chariots-of-fire-single/1535227141 Album Apple ID: 1535227141 Deezer: https://deezer.page.link/cqf3S7CcN9fGeMLr6 YouTube: https://youtu.be/sNnD6AkZ5U4 Ulysses Arts releases Richard Quesnel's soundtrack to Cowboy and Preacher, on iTunes/Apple Music, Spotify and all main digital service providers on Friday 11 September. Cowboy and Preacher is a documentary film exploring environmentalism and religion in the USA through the life of Tri Robinson. Directed by Will Fraser, the film is released on 15 September 2020. Discover more about Cowboy and Preacher at https://cowboyandpreacher.com Album Details Performers: Hélène Callonnec - violin Matthieu Langlet - clarinet Jacques-Alexis Marcon - double bass Richard Quesnel - keyboard Antoine Scaviner - guitar Spotify: URI: spotify:album:2YGsTftyHPsCzn9pnrXmnw URL: http://open.spotify.com/album/2YGsTftyHPsCzn9pnrXmnw Richard Quesnel: Spotify URI: spotify:artist:4Olirp5DHFhWwezZPxaGjD URL: http://open.spotify.com/artist/4Olirp5DHFhWwezZPxaGjD iTunes: URL: https://music.apple.com/album/cowboy-preacher-life-times-tri-robinson-original-motion/1528599024?ls=1&app=itunes Apple Music: URL: https://music.apple.com/album/cowboy-preacher-life-times-tri-robinson-original-motion/1528599024?ls=1 Album Apple ID: 1528599024 Qobuz: https://www.qobuz.com/gb-en/album/cowboy-and-preacher-the-life-and-times-of-tri-robinson-original-motion-picture-soundtrack-richard-quesnel-with-helene-callonnec-matthieu-langlet-jacques-alexis-marcon-antoine-scaviner/rj2vf5k30xtdb UPC 505452601229 Post-producting and mastering: Mark Hodgkin Artwork adaptation: Hannah Whale / Fruition Creative Concepts
Claraliz Mora describes her experience performing Micaela: 'Performing the role of Micaela, debuting it, was a team experience. It was thanks to the effort and hard work of many, many, people, that this wonderful opera Carmen could be made and performed. Especially thanks to Armando Mora, the leader of this project, the University of Xalapa, and conductor Lanfranco Marcelletti, that this beautiful creative project was accomplished. For me, it was just AN HONOUR to be part of this team. As an artist, when you get to do what you love, it's not work - it's a connection to something higher than yourself, and you cannot help but be grateful. This aria is about a young woman who goes to a dangerous place to seek out and "save" the person she loves. Love is what drives her - what drives her past her fears - past her fear even of death. And this is exactly what art teaches us in this moment that we are living: it can be a fearful time, not knowing what to expect, what will happen, BUT you never should lose faith, and never should lose hope. Love is always there. It is a beacon.' Release Details
Orquesta Sinfónica de Xalapa conducted by Lanfranco Marcelletti Jr. Download on iTunes or stream on Apple Music:: https://music.apple.com/album/carmen-act-3-no-22-je-dis-que-rien-ne-m%C3%A9pouvante-live/1525680774 Spotify: http://open.spotify.com/album/6jWFEHYaWCU5Yg03UxBYIp YouTube: https://youtu.be/wbp9qBBs0JU Deezer: https://www.deezer.com/track/1037154782 Qobuz:https://www.qobuz.com/gb-en/album/carmen-act-3-no-22-je-dis-que-rien-ne-mepouvante-claraliz-mora/cja4kpzzr0eac Post-production: John Croft / Chiaro Audio (http://chiaro-audio.uk) Cover design: Christian Bubenheim UPC: 5054526850842 / https://www.facebook.com/events/2888369068062467
Latvian pianist and Vienna resident Anton Rosputko releases his debut recording, of Chopin, Piano Sonata No. 3 in B Minor, Op. 58, on 28 August 2020.
Anton Rosputko was born in Jūrmala (Latvia) in 1993. Interntional awards include 1st Prize, Gradus ad Parnassum Competition (Kaunas, Lithuania); Third Open Russian Competition in Kaliningrad, 2nd Prize, Virtuosi per musica di pianoforte, Ústí nad Labem (Czech Republic), 3rd Prize; Schumer Prize in Enschede (Netherlands), 2nd Prize (2007) and 1st Prize (2010) at the Jūrmala International Competition. His main mentors have been Tatyana Pavlyuchenko, Jānis Maļeckis, Pavel Gililov and Boris Petrushansky.
Anton Rosputko was a participant of the Kaunas Festival in Lithuania in 2006 and 2010. As a soloist with orchestra he has performed with the Latvian National Symphony Orchestra and Normunds Vaicis, Sinfonia Concertante Orchestra with Andris Vecumnieks, Kaunas City Orchestra and Modestas Pitrenas, Liepāja Symphony, and Amber Sound Orchestra with Tadeusz Wojciechowski. Anton Rosputko has performed widely in Latvia, Lithuania, Russia, Czech Republic, Germany, Austria, Italy, Liechtenstein, Switzerland and the Netherlands. Performance venues include the Great Hall and the Vienna Hall of the Mozarteum Foundation, Solitär Hall of the Mozarteum University, Great Concert Hall of the University of Music and Performing Arts Munich, Great Hall of the University of Music and Felix Mendelssohn Bartholdy Theatre Leipzig, the Concert Hall of Kaliningrad Philharmoniс Society, Great Hall of Kaunas State Philharmonic Society; the Small Guild, Riga House of Moscow, Great Hall of Latvian National Opera and Dzintari Concert Hall.
Composer Sacha Puttnam releases his symphonic orchestral versions of Giorgio Moroder's Istanbul and Love's Theme on Apple Music, Spotify, Deezer and all main digital service providers on Friday 25 September 2020, with The Classic Film Orchestra. Love's Theme and Istanbul anticipate the launch of Sacha Puttnam's full album, Spirit of Cinema, scheduled for 6 November 2020. Release Details
Istanbul: UPC 5054526006225 Spotify Album URI: spotify:album:1oK63CV8kF7vi08Wq6PcoE Spotify Album URL: http://open.spotify.com/album/1oK63CV8kF7vi08Wq6PcoE Spotify Track URI: spotify:track:35bnyzsI5vcG53NgX0mXb5 Spotify Track URL: http://open.spotify.com/track/35bnyzsI5vcG53NgX0mXb5 iTunes URL: https://music.apple.com/us/album/istanbul-single/1527145833?ls=1&app=itunes Apple Music URL: https://music.apple.com/us/album/istanbul-single/1527145833?ls=1 Deezer: https://deezer.page.link/jCYjpycCTz5pmLRz6 YouTube: https://youtu.be/wkUefxABUNY Love's Theme: UPC 5054526005990 Spotify Album URI: spotify:album:6P2MgNgF19MHPNQDUIo6KC Spotify Album URL: http://open.spotify.com/album/6P2MgNgF19MHPNQDUIo6KC Spotify Track URI: spotify:track:5GDRi17PXH6mZpQyiLIxgG Spotify Track URL: http://open.spotify.com/track/5GDRi17PXH6mZpQyiLIxgG iTunes URL: https://music.apple.com/album/loves-theme-single/1527174764?ls=1&app=itunes Apple Music URL: https://music.apple.com/album/loves-theme-single/1527174764 Deezer: https://deezer.page.link/aTTfwMKfuVxdgsSSA Qobuz: https://www.qobuz.com/gb-en/album/loves-theme-sacha-puttnam/covhcdhb093ba YouTube: https://youtu.be/xJdfa1pAxmc Ulysses Arts is delighted to release pianist Thomas Kelly's debut recordings, starting with Liszt, Rhapsodie espagnole, on 21 August 2020. Chopin Nocturne in D-flat Op. 27 No. 2 follows on 4 September, and Schumann's Toccata Op. 7 on 25 September. James Ross, director of Ulysses Arts, comments: 'It is a great pleasure to be launching Thomas Kelly's debut recording with Ulysses Arts on Friday 21 August, of Liszt's Rhapsodie espagnole. I first met Thomas when judging the The Purcell School's Senior Concerto Competition a few years back. He played Brahms' Second Piano Concerto. Beforehand I was sceptical about the likelihood of a 17-year old pianist being ready musically to interpret this work, however technically impressive or promising they were. I was wrong: Thomas' performance was utterly convincing and he won the first prize amongst a field of excellent finalists crowded with talent. Since then I have had the pleasure of performing Rachmaninov PIano Concerto No. 1 with Thomas, and of hearing him continue to develop as a musician - it is therefore hugely exciting now to be releasing his work.' Thomas is currently studying at the Royal College of Music in London with Andrew Ball. His three single releases will be followed by a full album in 2021, including music by Sibelius, Prokofiev, Reubke and Tippett. Release Information: Liszt, Rhapsodie espagnole https://www.facebook.com/events/945394305932960 https://music.apple.com/album/rhapsodie-espagnole-s-254-ep/1525770489 Spotify: http://open.spotify.com/album/7pDQ4wb98i1lx8EwXKkDNr YouTube: https://youtu.be/KAcESj3VjcQ Deezer: https://www.deezer.com/en/album/164225212 Qobuz: https://www.qobuz.com/gb-en/album/rhapsodie-espagnole-s-254-thomas-kelly/lqra86btae4cc UPC 5054526852310 Chopin, Nocturne in D-flat Op. 27 No. 2 Apple Music and iTunes: https://music.apple.com/album/nocturnes-op-27-ii-lento-sostenuto-in-d-flat-major-single/1525771498 Spotify: https://open.spotify.com/album/1oidvTusUJTkVoz9Q3Pg9M Deezer: https://deezer.page.link/JvqjX4bTefmFFWNE6 YouTube: https://youtu.be/O22MWZlMFRE Qobuz: https://www.qobuz.com/gb-en/album/nocturnes-op-27-ii-lento-sostenuto-in-d-flat-major-thomas-kelly/inren9m2aifgb UPC 5054526852679 Schumann, Toccata Op. 27 Apple Music and iTunes: https://music.apple.com/album/toccata-op-7-single/1525771268 Spotify: http://open.spotify.com/album/7dUsPPgXmrDGMMZVcZV4HG Deezer: https://deezer.page.link/M6Dg17iyvUPB3t9S8 YouTube: https://youtu.be/6v5ARQFyxr4 Qobuz: https://www.qobuz.com/gb-en/album/toccata-op-7-thomas-kelly/b60joy8dbdhza UPC 5054526852686
Ulysses Arts, in partnership with Fugue State Films, launches the digital version of Sigfrid's Unbeaten Tracks - music for Kunstharmonium by Karg-Elert, played on the Link-Gaida Organ of the Paulskirche, Ulm, by Graham Barber - on Friday 7 August.
From 33 Portraits, Op.101
Quasi Concertino per Clarinetto solo - alla Weber (No. 12) Impromptu interrompu - alla Chopin (No. 14) Vorspiel zu einem Drama - alla Wagner (No. 18) Frauengunst - alla Johann Strauss (No. 20) Duetto d’amore - alla Verdi (No. 19) Am Hardanger Fjord - alla Grieg (No. 25) Sonata No. 2, Op. 46 (first recording for organ) I. Enharmonic Fantasie and Double Fugue (B-A-C-H) II. Canzona III. Toccata
Andrew Benson-Wilson writes: ‘This is a remarkable recording project in so many ways. This is music that ... [is] impressive and deserves being heard on a full-sized pipe organ. And Graham Barber’s transcription is well-conceived, notably in his writing for the pedal line, missing entirely in the harmonium version. His amendments to the musical text are appropriate, and the performance is masterly, notably in his choice of registrations.’
Musicweb International acclaimed Graham Barker's release as 'all superb performances, technically stunning and gloriously fluid in their coloristic properties' (Marc Rochester).
Download Sigfrid's Unbeaten Tracks now, on iTunes and Amazon Music, with extensive digital book. Live streaming links are below and at www.facebook.com/events/227200648260128
DEEZER https://www.deezer.com/en/album/159971092 QOBUZ https://www.qobuz.com/gb-en/album/sigfrids-unbeaten-tracks-harmonium-music-transcribed-and-played-on-the-link-gaida-organ-of-st-pauluskirche-ulm-graham-barber/ghsqadxpjz86a YOUTUBE https://www.youtube.com/playlist?list=OLAK5uy_k-F1fS6qun67okZpy_-G2uzR8b9C_fvT4
UPC 5054526946538
Catalogue Number FSRCD016 Tonmeister: Christian Starke Art-work revision for digital version: Hannah Whale / Fruition Creative Concepts
Ulysses Arts launched the first of six volumes of Fugue State Films' pioneering series of albums The English Organ on 26 June on Apple Music/ITunes, Spotify, Amazon Music and all major digital service providers. Performed by Daniel Moult, The English Organ is one of the largest recording projects ever made about the instrument, and has been hailed by Gramophone Magazine as ‘a dazzling showcase of both repertoire and instruments’ (Marc Rochester, June 2020).
Volume One explores music from William Byrd in the Sixteenth Century, through Purcell, Worgan, Stanley, Green, Boyce, Samuel Wesley and Mendelssohn, played on a spectacular range of English organs. Will Fraser, director of Fugue State Films, comments:
‘Daniel Moult recorded at least one major piece of repertoire on thirty-three instruments in five countries on three continents. Each instrument exemplifies the development of English organ building across five centuries. The range and quality of instruments is extraordinary, including great church and cathedral instruments, organs in concert halls, educational establishments and even private houses. Like any cultural or technological artefact, the organ represents its time and the people who built it. Organs were affected by historical events such as the Reformation, Civil War, industrialisation, Empire, democracy and popular. Alongside these recordings are three feature-length documentaries telling this story by Fugue State Films. Volume Two was released on 3 July (Brahms, Stanford, Parry, Elgar, Bridge, Howells); Volume Three (Stainer, Whitlock, Grace, Hollins, Howells, Vaughan Williams, Britten, Brian Cooke, Kenneth Leighton, Stephen Hough, David Matthews and Ronald Corp) on 10 July. Volumes Four and Five, released on 17 and 24 July respectively, feature Purcell, J.S. Bach, Mendelssohn, S.S. Wesley, Smart and Elgar. The final album, including Thalben-Ball's extraordinary Paganini Variations for pedals only, music by Whitlock, Gowers, Fricker, Leighton, Joubert, and contemporary works by David Matthews, Douglas Mason and Iain Farrington was released on 31 July 2020. In parallel with the digital audio launch, The English Organ's companion documentary series was released on Fugue State Films' new Vimeo channel on 26 June: https://vimeo.com/ondemand/theenglishorgan. Discover more about The English Organ at https://fuguestatefilms.co.uk/product/the-english-organ.
Daniel Moult is a concert organist, recording artist and film presenter, described by The Organ as ‘one of the finest organists of our time’. Renowned for his virtuosic, intelligent and engaging performances, his musicianship has been praised as ‘exhilarating’ (Gramophone), ‘dazzling’ (The Organ), and ‘formidable’ (Organists’ Review). Daniel is director of the organ department at the Royal Birmingham Conservatoire; as a soloist, he has performed at major venues and festivals in the UK, Europe, Asia and Australia, including recitals and concertos with orchestra, and has broadcast frequently on BBC Television and Radio.
Daniel’s previous films include Virtuoso! Music for Organ, a film featuring some of the Twentieth Century’s most demanding organ repertoire, and The Elusive English Organ, a journey through English music from Byrd to Wesley. Recordings including the first solo performances at the newly-restored organ of Arundel Cathedral, and Handel's organ concertos with the London Early Opera Orchestra for Signum Classics' Handel at Vauxhall, and for Regent and Sony BMG.
Born in Manchester, Daniel studied at Oxford University, where he received his Fellowship diploma with three of its top prizes, and Amsterdam Conservatorium. Previous posts have included Visiting Organ Tutor at Chetham’s School of Music, Royal College of Music Junior Department, Organist & Assistant Director of Music at Coventry Cathedral and Artistic Director of The London Organ Day. A sought-after teacher, he leads master-classes, workshops and courses around the world. He is a Trustee of the Royal College of Organists, for whom he also examines. Other activities include several published editions, including the Easy Bach Album and Easy Handel Album for Bärenreiter, for whom he is now working on two new anthologies, and the Complete Church Organist, Volumes 1 and 2, with RSCM Publications. His articles on performance practice and performance-related topics have appeared in various music journals. He has also acted as producer for commercial recordings. http://danielmoult.com
Recording Details
Label: Fugue State Films, in association with Ulysses Arts Catalogue ID: FSRCD017 (No.1), FSRCD018 (No.2), FSRCD019 (No.3), FSRCD020 (No.4), FSRCD021 (No.5), FSRCD022 (No.6)
Sacha comments: ‘I met Donovan aged five on the set of The Pied Piper. Sailing Homeward is my homage to him and the film. This is the second single from my Spirit of Cinema album to be released this autumn with accompanying podcasts.' Stream on Spotify and listen here to Sacha's interview with Donovan about Sailing Homeward, as an Apple podcast. On 1 May 2020, Ulysses Arts, in association with Maya Music, launched Sacha Puttnam's orchestral version of First of May by The Bee Gees, which achieved plays on Classic FM (1.9 million listeners), Scala Radio (1 million) and RTE Lyric (2 million).
LATEST NEWS: Sailing Homeward features on Spotify's New Classical Releases editorial playlist:
https://open.spotify.com/playlist/37i9dQZF1DWV0gynK7G6pD
Release Information:
Catalogue Number: UA000025 UPC: 5054526713871 Post-production and ADM certification by John Croft / Chiaro Audio
Ulysses Arts introduces Franco-Belgian pianist Antoine Préat's debut recording of Beethoven's Piano Sonata No.31 in A-flat Major, Op.110 on Friday 19 June on ITunes, Apple Music, Spotify, Deezer, Qobuz, and all other major streaming services.
The Beethoven release precedes Antoine Préat's full album 'Polyphony', also including works by J.S. Bach, Chopin and Scriabin, to be launched on 15 January 2021. Antoine comments: 'Born into a Baroque-fanatic family in Paris, I grew up immersed in the sound of the 'cello and harpsichord. I have always been intruiged by polyphonic music, with deep emotion contained within a perfectly assembled puzzle. I decided to dedicate my debut album to this theme, with the Beethoven as a preview. A deaf Beethoven produced this gem of virtuous wisdom, tragedy and vulnerability, culminating in an amazing fugue. It is a testament to an incredible craftsman, an honest poet and a philosopher in music.'
Described as 'one of the most gifted artists of the younger generation' and 'a young artist with a distinctive voice', Antoine Préat made his orchestral debut aged 17 playing Rachmaninov's Second Piano Concerto. He has performed at the Salle Cortot, Salle Gaveau and Beaux Arts Museum in Paris, Thayer Hall in Los Angeles, Freydrick Chopin Institute, Warsaw and the Wigmore Hall, London. His performances have been broadcasted by the BBC and France Musique.
Antoine studied at the Ecole Normale de Musique Alfred Cortot in Paris and at the Royal Academy of Music, London, with Tatiana Sarkissova, winning the Colin Murray Award, Vivian Langrish Award and Bache Fund Award, where he is now a postgraduate student with Christopher Elton. Décrit comme "un jeune artiste doté d'une voix particulière", Antoine Préat se distingue par des débuts très prometteurs en tant que soliste et chambriste. Né en août 1997, ce pianiste franco-belge débute l'apprentissage du piano à l'âge de 9 ans à Paris. Un an plus tard, il joue en public pour la première fois Salle Gaveau. Antoine fait ses débuts avec orchestre à 17ans, jouant le deuxième concerto de Rachmaninov avec l'Orchestre d'Alicante, et se produit régulièrement en tant que soliste avec des orchestres tels que le London Student Orchestra, le Tonerl Chamber Orchestra, les Sainsbury Soloists, l'orchestre de l'Académie Royale et le Resonate Chamber Ensemble. Il est invité à se produire dans différents festivals tels que le Festival Chopin à Nohant, Chopin à Bagatelle, les Concerts d'Esther, Marathon Chopin (pour son bicentenaire), les Nuits du piano à Paris, Jeunes talents, et l'Encuentro de Santander. Il se produit régulièrement en tant que soliste et en musique de chambre à travers la France ainsi qu'en Europe et aux Etats Unis, dans des salles telles que le Wigmore Hall, la Salle Cortot, la Salle Gaveau, l'Equinoxe, Schloss Glienicke, l'Institut Frederyk Chopin et le Petit Palais. Formé au CNR de Paris puis à l'École Normale Alfred Cortot, d'où il sortira diplômé à l'unanimité à 17 ans, il a notamment été élève de deux héritiers de l'Ecole Russe : Guigla Katsarava, élève de Lev Naumov, et Ludmila Berlinskaia, "protégée" de Sviatoslav Richter. Marqué par cet enseignement russe, Antoine a choisi de poursuivre sa formation à la Royal Academy of Music de Londres, dans la classe de Tatiana Sarkissova où il a reçu le Colin Murray Award et le Vivian Langrish Award après avoir obtenu les plus hauts résultats de l’institution, et termine actuellement son Master auprès de Christopher Elton.
Release Details:
Record Number: UA000019 UPC: 5054526748620 |
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