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This album of music for Baroque violin establishes a link between music and fine art. The Baroque’s symmetry in architecture and way of life characterizes the music and the cover of this album. The almost exactly symmetrical alleyway depicts Maximiliane Norwood in the middle of the composition. She strives to connect music, fine art, and rhetoric. The result is a performance for all artistic senses.
TRACK LISTING
1. Tomaso Albinoni (1671–1751): Sonata in D Minor, Op. 4 No. 1: I. Adagio
2. Antonio Bertali (1605–1669): Ciaccona in C Major
3. Elisabeth Jacquet de La Guerre (1665–1729): Violin Sonata No. 2 in D Major: II. Adagio
4. Andrea Falconieri (ca. 1585–1656): Il Primo Libro di Canzone: Brando dicho el Melo;
Corriente dicha la Mota, echa para Don Pedro dela Mota
5. Giovanni Battista Fontana (1589–1630): Violin Sonata No. 2 in D Major
Tracks 1–4: Maximiliane Norwood (Baroque Violin), Jacopo Sabina (Theorbo)
Track 5: Maximiliane Norwood (Baroque Violin), Cornelia Demmer (Theorbo), Chloé de Guillebon (Virginal)
1. Tomaso Albinoni (1671–1751): Sonata in D Minor, Op. 4 No. 1: I. Adagio
2. Antonio Bertali (1605–1669): Ciaccona in C Major
3. Elisabeth Jacquet de La Guerre (1665–1729): Violin Sonata No. 2 in D Major: II. Adagio
4. Andrea Falconieri (ca. 1585–1656): Il Primo Libro di Canzone: Brando dicho el Melo;
Corriente dicha la Mota, echa para Don Pedro dela Mota
5. Giovanni Battista Fontana (1589–1630): Violin Sonata No. 2 in D Major
Tracks 1–4: Maximiliane Norwood (Baroque Violin), Jacopo Sabina (Theorbo)
Track 5: Maximiliane Norwood (Baroque Violin), Cornelia Demmer (Theorbo), Chloé de Guillebon (Virginal)
UPC: 5054526304741