There are strong traces in the symphonies of what might have been: the intensely lyrical, cantabile nature of the writing; the intermezzo-like movements; the opera buffa qualities of the finales and the feeling for the long line which runs through those supple and sweeping melodies all denote a born opera composer. In the event, his operatic aspirations were cruelly cut short and it is to his courageous, life-affirming twelve symphonies that we must look to chart his development, recovery and eventual triumph.' © Paul Conway
Jean-Yves Duperron, Classical Music Sentinel
Symphonies Vol. 1, March 2024
Symphonies Vol. 2, April 2024